tag:blogger.com,1999:blog-328540742024-02-28T05:19:55.178-08:00 I W A N E F F E N D Iiwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.comBlogger55125tag:blogger.com,1999:blog-32854074.post-5731602880373728322013-07-08T09:32:00.000-07:002013-07-09T08:57:53.580-07:00Me, Lunang, and NOKNjam<div class="separator" style="clear: both; text-align: center;">
<b>limited edition of NOKNjam artist series about lunang</b></div>
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<span style="background-color: white; color: #404040; font-family: 'trebuchet ms', geneva; font-size: xx-small; line-height: 22px; text-align: start;">special project: NOKNjam Finding Lunang. Made for ArtJog 2013, an international art fair event which Iwan Effendi is featured as The Commission Work Artist. NOKNjam produced this special edition. Only five custom made NOKNbag with very high quality materials and high passionated craftmanship. Come with original autograph and certificate of authenticity. Find NOKNjam Finding Lunang by me for ArtJog 2013 at Taman Budaya Yogyakarta, Indonesia, on 6th - 20th July 2013.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">monster of the sea, hand painted with acrylic</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: start;">the voyager </span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw4npPxNOKGeI6AsP0vgiedeNPw_bBRBUJ8b95iYdZ4Fl5nRwKpt5AD-VKYMKDt1f-a3H6X4UtRQ4pR7BYEZLqXJh-xaxmSz3ZqDz0zWWGnRQRi0SyJzmqMZb9YD2-3CHgE8U/s1600/detailpaint.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: start;"><span style="color: black; margin-left: 1em; margin-right: 1em;"> </span></a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">hand painted monster</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">inner body, silk screen</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">inside the flam, silkscreen print man of the sea</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">leather compass and hand painted eye</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Lunang embroidery</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">etching image buckle</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">edition signature<br />
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foto: Kiko Arya Suksma</td></tr>
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<br />iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com1tag:blogger.com,1999:blog-32854074.post-26980576230694035352013-07-01T14:00:00.003-07:002013-07-08T09:08:25.157-07:00LUNANG<i>Lunang adalah seorang bocah laki-laki, aku menemukan dia di dalam masa pencarianku atas budaya maritim sebagai tema yang disodorkan oleh ARTJOG, tema yang hampir tidak terbayangkan sebelumnya, Lunang menjadi awalanku memahami maritim</i><br />
<i>Lunang adalah mitos yang ada dan tiada</i><br />
<i>Lunang adalah masa lalu, dan masa depan</i><br />
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<b><span style="font-size: large;">Lunang: Pencarian dalam Kisah-Kisah</span></b></div>
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Ini adalah kisah tentang seorang anak laki-laki yang sosoknya terus menerus terlihat di berbagai belahan dunia. Anak itu seperti tiba-tiba saja ada di sana. Konon, anak laki-laki itu terlihat bermain ombak di sebuah pelabuhan di belahan dunia yang paling jauh. Entah bagaimana, ia juga terlihat berlarian di Barat, Timur, Utara, Selatan.. entah seluruhnya dalam waktu yang bersamaan atau tidak.</div>
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Sosoknya yang terlihat asing dengan kulit sawo matang terbakar matahari, kepala gundul, perut buncit, dan dahi jenong; konon sering terlihat berlarian bebas di pelabuhan. Keberadaannya adalah misteri. Orang-orang pelabuhan dan para pelaut terus membicarakannya –mencoba mengungkapkan misterinya.<br />
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Mungkin ia adalah bocah pengembara yang menjelajah dunia dengan seluruh keajaibannya. Mungkin, secara kebetulan, sosok yang mirip dengannya begitu umum dijumpai di berbagai penjuru dunia. Mungkin juga, ia hanyalah kisah yang dihembuskan para pelaut yang kebosanan. Bagaimana ia sampai di sana, di mana pun ia berada, tidak ada yang tahu.<br />
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Berpuluh-puluh tahun kemudian, ia menjadi mitos. Kisah-kisah berkembang atasnya. Kisahnya ditemukan di dalam catatan-catatan para petualang dari seluruh penjuru dunia. Para penjelajah bumi memiliki cara masing-masing untuk menceritakannya. Sebagian ajaib, sisanya tidak masuk akal. Seperti halnya kisah-kisah pada umumnya, kisah ini memiliki kebenaran terkandung di dalamnya walaupun sedikit saja. Bagaimanapun, mitos adalah sesuatu yang diciptakan untuk menjawab pertanyaan yang rumit. Sebagian unsurnya adalah kebenaran. Anak itu, seperti terus menerus mempermainkannya. Para pelaut dan penghuni pelabuhan bergantian bertukar cerita mengenai keberadaannya. Kisahnya berhembus bersama asin angin laut yang lembab dan hangat. Kisah tentang Lunang, si anak laki-laki yang ditemui para pelaut di dalam ekspedisi mereka mencari sumber kehidupan baru.</div>
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<b>Tentang pengembaraan, pencarian, dan penemuan.</b></div>
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Bagi Iwan Effendi, Lunang adalah sang nusantara. Indonesia yang kaya akan rempah-rempah merupakan pulau harta karun bagi mereka yang tinggal di Barat. Berbagai kisah berhembus tentangnya –penuh janji dan dibumbui kisah petualangan yang akan membuat jiwa anak laki-laki di setiap pria dewasa tergelitik. Hadiah yang besar akan didapatkan bagi yang berhasil pulang dari pencariannya –walaupun tidak banyak yang berhasil dalam prosesnya.<br />
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Nusantara pernah menjadi sebuah mitos, seperti Lunang. Kabar tentangnya berhembus simpang siur di setiap pelabuhan. Kisah-kisah tersebut dipenuhi keajaiban, misteri, dan harta karun. Jauh sebelum para penjelajah menaklukkan Nusantara, tanah ini adalah <i>terra incognitia</i>-- daratan yang tidak dikenali. Daratan asing yang belum terjamah. Bagaimana mungkin orang-orang mempercayai sebuah kisah mengenai daratan jauh yang tidak dikenali tanpa pernah melihatnya? Begitulah kepercayaan atas sedikit kebenaran yang terkandung dalam kisah-kisah menjadi penting dalam sejarah penjelajahan dan penemuan-penemuan di dunia.<br />
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Kisah tentang keberadaan Nusantara memerlukan kepercayaan yang kuat dari mereka yang mendengarnya. Kisah tentang harta karun yang tumbuh subur di daratannya dimulai dari sebuah wabah flu yang konon mematikan dan hanya bisa disembuhkan oleh pala. Pala, yang sebelumnya tidak terlalu dipedulikan asal-usulnya, mulai ditelusuri keberadaannya. Ekspedisi demi ekspedisi dilakukan untuk menemukan pohonnya dan konon, para pelaut bisa mencium aroma hangat rerempahan dan pala bahkan sebelum sempat melihat daratannya. Sebelum penaklukkan, politik, dan perdagangan masuk –pelayaran merupakan permainan anak lelaki yang sarat dengan unsur petualangan dan rasa penasaran yang polos dan membuncah.<br />
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Atas nama petualangan, usaha untuk bertahan hidup, dan menemukan sumber alam baru; Nusantara menjadi bagian dari perlintasan dan tujuan utama petualang samudera dari berbagai penjuru dunia. Begitulah Nusantara, apabila ditilik dari sudut pandang itu, ditemukan. Namun sebagaimana keberadaan Lunang –si anak laki-laki yang begitu saja ada di pelabuhan di berbagai penjuru dunia, Nusantara telah ada jauh sebelumnya. Sebuah daratan yang tidak dikenali bagi sebuah sisi belahan dunia yang lain, adalah sesungguhnya daratan yang telah ada. Maka seperti Lunang, asal-usulnya adalah misteri. Namun sebagian orang takut pada hal-hal yang tidak dikenalinya, demikian lah mereka mulai mempelajari Nusantara sementara lainnya mencoba menaklukkannya.<br />
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Ajaib ketika melihat betapa banyak makhluk-makhluk dongeng yang digambarkan sepanjang peta ‘jalan’ menuju Nusantara. Kisah-kisah mengenai naga, ular laut raksasa, dan putri duyung tergambar di dalam peta-peta lama tersebut. Konon rupanya daerah yang belum terjamah dalam peta kerap digambarkan dalam bentuk lukisan makhluk dongeng. Dalam The Hunt-Lenox Globe (1503-07), terdapat beberapa daerah yang bertuliskan <i>Hc Svnt Dracones (i.e. hic sunt dracones, here are dragons)</i> yang alih-alih menggambarkan lokasi tinggalnya para naga yang berbahaya, merupakan tanda bahwa area tersebut berbahaya dan belum terjamah. Istilah ini konon muncul di sekitaran pantai timur Asia, yang mungkin saja terkait dengan pulau Komodo..atau mungkin juga sebatas peletakan mitos untuk menyederhanakan jawaban atas misteri-misteri yang ada di daerah tersebut.</div>
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<b>Pencarian Sosok Lunang sang Nusantara</b></div>
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Dalam usahanya mempelajari sejarah maritim Indonesia, Iwan Effendi memilih berguru pada kisah-kisah dan peta lama. Di dalam kisah-kisah tersebut, Iwan menemukan sosok Lunang dan di dalam peta lama, ia menemukan sedikit sejarah budaya kelautan Indonesia. Maka kisah Lunang ini adalah tentang pencarian-pencarian dan berbagai penemuan yang dialami oleh orang dari masa lalu maupun secara kekaryaan oleh Iwan Effendi sendiri. Pameran proses ini merupakan ‘ekspedisi’ menelusuri dua hal: 1. Pencarian sejarah maritim Indonesia dan 2. Penemuan atas sosok Lunang dan segala teka tekinya.</div>
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Bagi Iwan Effendi, sosok anak kecil Lunang merupakan penggambaran peradaban laut yang dicarinya. Budaya laut yang ada di Indonesia adalah pencarian yang terus menerus yang apabila ditemukan, usianya masih sangat muda. Bagaimanapun juga, masa kanak-kanak adalah sebuah ruang tunggu; sebuah masa yang menyisakan ruang untuk pembelajaran. Mungkin seperti halnya Lunang, keberadaannya telah lama, namun kesadaran tentangnya baru saja ditemukan.<br />
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Budaya kelautan yang ada di Nusantara letaknya begitu dekat dengan mitos-mitos, kemunculan, kepercayaan, dan pertemuan. Iwan memilih bercerita dengan menggunakan seorang anak laki-laki sebagai pusatnya. Ketika ia memilih menceritakan penemuannya akan budaya maritim nusantara melalui sosok seorang anak kecil yang terus menerus terlihat di setiap pelabuhan di berbagai belahan dunia; ia menyisakan ruang untuk misteri, kepolosan, rasa ingin tahu, dan petualangan. Apakah Lunang bertualang untuk mencari sesuatu? Apakah sosok Lunang hanyalah mitos yang kerap dihembuskan para pemimpi? Apakah Lunang mencari atau ia lah yang dicari? Bisakah mereka yang bertemu dengannya mempelajari sesuatu yang baru darinya?</div>
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Banyak kisah serupa yang muncul di tengah misteri laut. Seorang penyair kenamaan Indonesia pernah menceritakan secara puitis tentang seekor ikan paus merah yang terkadang muncul saat senja keemasan sempurna. Punggungnya berdarah oleh panah yang tertancap tegak lurus, dan tangisnya menceritakan tentang luka yang beratus-ratus tahun lamanya diceritakan oleh musafir yang berkeliling dari satu pelabukan ke pelabuhan lainnya –tanpa pernah benar-benar melihatnya. Terkadang misteri lautan luas dan budaya perpindahan atas misi petualangan ini dimulai dengan hal yang sederhana: mempercayai.</div>
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Kisah-kisah atas Nusantara juga pernah digaungkan oleh Marco Polo, dalam tulisannya tentang <i>“Java le Grande” (the great island of Java). </i>Marco Polo konon mempercayai bahwa Jawa adalah pulau terbesar di dunia –sementara para penjelajah setelahnya mempercayai bahwa yang dianggap sebagai Java le Grande adalah mungkin New Holland (benua Australia), dan Marco Polo menceritakan tentang keagungan pulau Jawa tanpa pernah benar-benar menapaki pulau Jawa. Konon Marco Polo hanya sampai ke Java Minor (pulau Sumatera) dan mempercayai teorinya tentang Java le Grande. Bertahun-tahun kemudian teori-teori ini terpatahkan oleh para pakar geografi yang membuat berbagai pembuktian atasnya.<br />
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Hal ini mengingatkan akan sebuah kisah dalam buku Antoine de Saint-Exupery, Pangeran Kecil, di mana terdapat seorang pakar geografi yang secara tekun mencatat sungai dan gunung-gunung yang bahkan belum pernah ia lihat. Namun bukankah hal tersebut menarik dan menggelitik untuk sesekali mempercayai dongeng indah yang diceritakan seorang petualang? Sulit memisahkan antara yang fiksi dan yang nyata dalam petualangan laut semacam ini.</div>
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Hal tersebut mungkin merupakan salah satu hal yang hanya dipahami oleh benak kanak-kanak. Hal itu pula yang mungkin membuat sosok Lunang misterius penuh teka-teki. Seperti layaknya sang Pangeran Kecil yang mengembara ke seluruh semesta dan daratan bumi. Konon, kata hati seorang anak sama dengan kesadaran itu sendiri. Pencarian tentang Lunang adalah pencarian tentang kesadaran.</div>
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Tidak penting lagi apakah Lunang benar-benar seorang anak kecil atau kah sosoknya yang hanya menyerupai anak kecil. Sosoknya yang seperti tipikal sosok anak lelaki Jawa sebagaimana biasa digambarkan pada masa kolonial menunjukkan sekelumit identitas Lunang. Penggambaran Lunang sebagai anak laki-laki bukanlah tanpa alasan. Bagaimanapun juga, budaya maritim adalah budaya anak laki-laki. Walaupun demikian, laut adalah sesosok wanita dengan insting seorang ibu yang melindungi anaknya. Apabila para penjelajah adalah sosok yang maskulin, laut yang dijelajahinya adalah sosok yang feminim. Poros dan keseimbangan tetap menjadi salah satu elemen penyajian hasil akhir karya ini dan Iwan Effendi memilih menggunakan bentuk karusel untuk menggambarkan petualangan Lunang. Karusel tersebut memiliki sebuah pusat utama sebagaimana dalam mitos-mitos ketimuran, selalu ada pusat bagi segalanya. Karusel tersebut yang menggabungkan aspek gerak dan visual menjadi pusat dunia Lunang.. poros perputaran para pencari. Maka kisah ini bukan lagi hanya menjadi kisah tentang pencarian dan penemuan, namun juga tentang mempercayai sekelumit kebenaran dan sejarah dalam kisah-kisah.</div>
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Mira Asriningtyas, kurator LIR space </div>
<br />iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-63971644529173698542013-02-10T07:04:00.002-08:002013-02-10T07:04:26.825-08:00wata calahere i have some watercolor image during my big project preparation<br />
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<br />iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com1tag:blogger.com,1999:blog-32854074.post-24477698906303520472012-12-08T05:23:00.001-08:002012-12-08T10:06:36.913-08:00Drypoint in Manila <span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">I stay in manila for about 1 month, kind of artist in residence sponsored by Manila Contemporary, to do observation, and meet many artist. </span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">First i will show about workshop that i attended, There is printmaking space for workshop in CCP (Cultural Centre of Philippines) called PAP, </span><span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: x-small; font-weight: bold; line-height: 15px;"><a class="l vst" href="http://pinoyprintmakers.multiply.com/" style="color: #660099; cursor: pointer;"><em style="color: #660099; cursor: pointer; font-style: normal;">Philippine Association</em><span class="Apple-style-span" style="color: #660099;"><span class="Apple-style-span" style="cursor: pointer;"> of </span></span><em style="color: #660099; cursor: pointer; font-style: normal; font-weight: bold;">Printmakers</em></a></span><br />
<span class="Apple-style-span" style="color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: x-small; line-height: 15px;">In this one year i've been interest with printmaking techniques, so i join drypoint workshop, instead of learn about new technique, i can meet many printmaking artists, and for me join workshop is another way to meet people...</span><br />
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<span class="Apple-style-span" style="font-weight: normal;"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">and here the Mr. Benjie Torado Cabrera and Angelo Magno, who help me doing my first drypoint</span></span><br />
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iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-80311441751724436892012-11-28T00:22:00.001-08:002012-11-28T00:22:15.090-08:00IWAN EFFENDI X NOKN JAM!!here i have my collaboration with a messenger bag brand from jogja, the image showed in my solo exhibition at yavuz fine art singapore "the splash from the past", and the other image was showed in kendra gallery bali and garis artspace jakarta...<br />
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<br />iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-65452139376225109742012-07-16T10:40:00.002-07:002012-07-16T10:40:27.030-07:00mwathirika t shirt<div class="separator" style="clear: both; text-align: left;">
his name is <b>TUPU</b></div>
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<br />iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com3tag:blogger.com,1999:blog-32854074.post-92093065481905442222012-07-16T10:32:00.002-07:002012-07-16T20:11:05.901-07:00artjog12<span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace; font-size: large;"><b>illuminate my story</b></span><br />
<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><u>an interactive puppet and video installation</u></span><br />
<span class="Apple-style-span" style="color: blue; font-family: Arial, Helvetica, sans-serif;">iwan effendi feat. papermoon puppet theatre, in ARTJOG 12</span><br />
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<span class="Apple-style-span" style="font-family: inherit;">History must always be retold. Even if it's the same story, with different soryteller and with the different viewers will get different grasp that might resulted into a different future also.</span><br />
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this interactive installation tells the story of papermoon puppet theatre performance tittled <i>setjangkir kopi dari plaja (a cup of coffee from playa) </i>the love story of a couple students in the 60's which failed due the 1965's tragedy in indonesia, the boy became an exile in cuba.</div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"><br /></span>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-25934190427449011742012-07-13T09:26:00.001-07:002012-07-13T09:45:09.442-07:00NGUDANG<br />
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<span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="IN" style="line-height: 150%;"><span class="Apple-style-span" style="font-size: large;">Ngudang</span></span></i></b><b style="mso-bidi-font-weight: normal;"><span lang="IN" style="line-height: 150%;"><span class="Apple-style-span" style="font-size: large;">: </span></span></b></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="IN" style="line-height: 150%;"><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', serif;"><span class="Apple-style-span" style="font-size: large;">Hold, Touch and Play</span></span></span></b><br />
<span lang="IN" style="line-height: 150%;"><span class="Apple-style-span" style="font-family: 'Courier New', Courier, monospace;">show at kendra gallery, bali june 29-july 29 2012</span></span><br />
<span class="Apple-style-span" style="line-height: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwyFAVh8o9dRlsqmHUi-8zeRZpiAaRghGxBe2vxfGCyeSEVyv4sbpXrldhkZVQubYpceFR1nAZsas61_mcTB_XfW76lCNYlziflizwsgh-XINuXt2tgOqs_G7P-HUeOGDjk8U/s1600/arang.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwyFAVh8o9dRlsqmHUi-8zeRZpiAaRghGxBe2vxfGCyeSEVyv4sbpXrldhkZVQubYpceFR1nAZsas61_mcTB_XfW76lCNYlziflizwsgh-XINuXt2tgOqs_G7P-HUeOGDjk8U/s320/arang.jpg" width="278" /></a></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;"> One<o:p></o:p></span></b></div>
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<i style="mso-bidi-font-style: normal;"><span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;"> “Ngudang” </span></i><span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">is a Javanese term for activities that happen between adults and infants or
young children. The goal is to communicate,
using gentle language, often High Javanese, along with song. <i style="mso-bidi-font-style: normal;">Ngudang</i> is almost always filled with
praises for the good looks, beauty, or cleverness of the child. It is one of
the first forms of intergenerational interaction – based on which more
sophisticated communications will be built. <o:p></o:p></span></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">In the culture of Java, children occupy a very
important position. Children are the carriers of fortune. This view may be a
remnant of the farming culture of the past, which relied on extensive labor.
Having more children meant having more workers, which meant greater
productivity, and ultimately, lots of good fortune. That's roughly the logic of
the connection between children and fortune in old Javanese culture. <o:p></o:p></span></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">As times have changed, farmlands have been
replaced by factories and shopping malls, yet the cult of the child has remained.
Only it has changed in form. Active verbal communication patterns have slowly
been replaced by gadgets. Children's toys, with all their age designations,
have replaced the old verbal communication patterns. Modern children live in
cramped urban dwellings accompanied by toys and the sounds of the television.
There is no more High Javanese language; the songs of praise are gone. They
have all been replaced by digital technology tools and devices. Pregnant women need
not sing; all they have to do is place their i-pod earphones on their bulging
stomachs, and turn on classical music or strains of sacred verse. Nor is it
necessary to cajole little children into conversation and banter – just leave
them, engrossed, with an i-pad in hand; this is sure to keep them entertained, and
let their parents keep busy with their laptops and apps. <o:p></o:p></span></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">That's more or less the scene for modern,
middle-class families in the big cities of Indonesia today. Meanwhile, in
lower-class families, <i style="mso-bidi-font-style: normal;">ngudang </i>has
been supplanted by the active blare of loudspeakers made in China and the maudlin
cries of soap operas on TV, or by trashy plastic, battery-operated toys, produced
by super cheap labor in mainland China. <o:p></o:p></span></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">This exhibition by Iwan Effendi and Papermoon
Puppet Theater raises the <i style="mso-bidi-font-style: normal;">ngudang</i> phenomenon
as its theme. The most obvious reason for this is the artists' fascination with
communication and its patterning. <o:p></o:p></span></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Papermoon is the brainchild of Maria Tri
Sulistyani, a.k.a Ria, and Iwan Effendi. It was born of their obsession to
communicate in a different way. To communicate with people of all ages. For
them, it was only through puppets that they could realize this. <o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Ngudang</span></i><span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">, as a unique model of communication, is (now gradually) getting
replaced by sophisticated tools and devices. <i style="mso-bidi-font-style: normal;">Ngudang</i> is two-way communication. Even though the ones involved use
different languages: one, “human language” and the other, the language of
infants. <i style="mso-bidi-font-style: normal;">Ngudang</i> also constitutes </span><span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">a
response to a misunderstanding, about how people should communicate. All too
often, communications are misunderstood in relationships, as a result of
encounters in which the same language is used. Whereas in everyday life, communications
commonly take place, and even run smoothly, when two different models of
language are used. As in <i style="mso-bidi-font-style: normal;">ngudang</i>-style
communication. <o:p></o:p></span></div>
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<br /></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">It is here that Papermoon finds its context. The
communication patterns Iwan and Ria create are based on difference. Puppets and
humans talk – puppets and humans interact – humans and humans communicate. These
three stages of communication demonstrate how puppets can create a bridge for
communication between people. <o:p></o:p></span></div>
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<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Two<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Puppets are a key part of Iwan's and
Ria's artworks. Their works beyond the stage performances of Papermoon almost
always feature this element. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Puppets, in their view, are another
form of human being, which may be an extension of the human hand, or
substitutes for people themselves. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">As shown in Ria's work: a
collection of boxes with glass windows, made of multi-colored bits of salvaged wood.
Inside the boxes are peculiar articles, made of papier mache, paper clay, wood,
and found objects. These strange objects illustrate something – a story. Ria calls
these works dioramachronicles. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Those glass-covered, used-wood boxes are
representaives of a world, microcosms of the world. Within them, Ria captures
details of stories she has picked up, based on the hopes of a lot of other
people, who have sent their messages of hope to her. Which Ria then “weaves”
into diorama boxes. Makes paper dolls, then attaches bits of newspaper, along
with other tiny objects, out of which a story is slowly composed. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">A diorama shows the details of a larger story.
Usually located in a museum, it depicts an important event, considered to have
historic value. It's a threedimensional scene from a particular historical
narrative. In Ria's context, the narratives on display are formed by hopes. The
hopes of a number of different people. Each hope, respectively, is placed in a box
under glass, like a mailbox with a window. Symbolically speaking, RIa's
dioramachronicles are mailboxes. Her friends send hopes, but RIa does not
realize these hopes, she only illustrates them. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">The question then arises: why
would these people want to entrust their hopes to Ria, and then let these hopes
be embodied in works of art? <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">When we read these hopes, none of
them are “new”; they are hopes that we hear all the time. Because they have to
do with the basic hopes people have, to stay alive: equal rights, a green
environment, and so on. Since the hopes are cliches, Ria has no difficulty
embodying them within her dioramachronicles. Indeed, the friends who leave Ria
their messages are well aware of how art (too) can serve as a message sender.
By entrusting their messages to her, they are consciously making them more
visible, to a larger number of people. So a hope that begins as a gripe is turned
into a campaign. As a campaign, that cliche hope might one day inspire a lot of
people to do something</span><span lang="IN" style="color: blue; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">.</span><span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">
<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Most of the dolls Ria makes are small-sized. One
reason for this is that their containers are not very large, but it is also
intended to make the viewer look at them close up. Up close, we can see the
details, observe the pale faces of the paper dolls. At a glance, the doll faces look like <i style="mso-bidi-font-style: normal;">tandak </i>(the faces of dancers).<i style="mso-bidi-font-style: normal;"> </i>They are covered in white powder,
leaving only a bit of red at the lips. From all of this we know that Ria's work
is designed to be “spied on” or "peeped at". By placing these things<span style="color: black;"> in small boxes, the act of peeping becomes real. Forget
about looking at them from a distance, the way you do when you look at
paintings. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">We must come closer. In fact, it's
as if we have to cock our ears, to hear the dolls whisper, about the stories they
carry.</span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="IN" style="color: black; font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">Three<o:p></o:p></span></b></div>
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<span lang="IN" style="color: black; font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">Iwan Effendi is a painter who has
recently been working with diverse combinations of media. Having discovered how
much fun it is to work in puppet theater media with Papermoon, he has now begun
to work with still different forms: </span><span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">three-dimensional works, assemblages
of found objects and mechanical motion, drawing and other techniques<span style="color: black;">. <span style="mso-spacerun: yes;"> </span>He began the
process of making his current works by looking at the potential of found
objects, be they of wood or other materials. He still departed from a theme, only
the theme was non-specific. <o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">The first time I visited Iwan's studio, he seemed
to be still confused. </span><span class="hps"><span lang="IN">Stacks of</span></span><span lang="IN"> <span class="hps">wooden</span> <span class="hps">boxes</span> were <span class="hps">piled</span> <span class="hps">in one corner of</span> <span class="hps">the
studio</span>. <span class="hps">In another corner of the space</span>, <span class="hps">sat</span> <span class="hps">a pile</span> <span class="hps">of charcoal</span>,
<span class="hps">some of which</span> <span class="hps">appeared to be</span> <span class="hps">sculpted</span>. </span><span lang="IN" style="color: black; font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">At first it seemed he was
starting a process using these media. And then he told me he was running out of
ideas, and those half-finished objects were just trash. Unlike other friends of
his generation, Iwan seemed restless, or rather, easily bored by conventional media.
He had begun his career painting on canvas, paper, or wood, using acrylic
paint. Now he was trying out other media. Experimenting with unconventional
media proved to be something new for him. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="color: black; font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">After establishing and being
active in the puppet theater, Iwan became interested in two things: history and
motion. His latest works encapsulate both these trends. As mentioned above, he began
with charcoal, pieces of wood, and found objects. Then he assembled all these
things into a sort of “puppet”. Indeed, it was not like the conventional
puppets he had made, but something resembling the structure of a puppet. Wooden
boxes arranged in order: large ones on the bottom, small ones on the top, like
the body and head of a person. To these geometric box shapes he added a set of
simple machinery, which can move the hands or certain other parts of the work. When
we associate this work with the exhibition title, it becomes clear why this
artwork resembles a small child. <i style="mso-bidi-font-style: normal;">Ngudang</i>
more or less means communicating with a child who can't speak fluently yet. One
of the most important things about <i style="mso-bidi-font-style: normal;">ngudang</i>
is </span><span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">touching and making gentle physical contact. We find the same
thing in Iwan's latest works. Touching, gently moving parts of the artwork, is imperative.
Without such actions, these mechanical works would not work in accord with their
underlying idea.<span style="color: black;"><span style="mso-spacerun: yes;">
</span><o:p></o:p></span></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">Iwan likes viewers of his works to be active. Some
of the works are to be placed on the floor. You can imagine such works as a
little child who is <i style="mso-bidi-font-style: normal;">ndeprok</i> (Javanese:
comfortably sitting on the floor) waiting to be invited to communicate. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">Some of Iwan's works apply alternative
coloration techniques, such as burning. Iwan's obsession with charcoal stemmed
from his observations about how history is linked to certain traumas, which are
imprinted in the minds of young people in Indonesia today. The idiom of
charcoal might be right, but at first he had to force it, by positioning the charcoal
as an element in his prospective work. The charcoal was like a tumor in the
breast of a beautiful woman.<span style="mso-spacerun: yes;"> </span>Stuck in
the wrong place at the wrong time. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">Following a series of discussions we held,
Iwan changed his approach. He no longer used readymade charcoal, but made it
himself. He “burned” his works deliberately to get a carbon effect. Through a
controlled method of burning, he created a series of fire “sculptures” out of
the soot that solidly attached itself to the wood. Some of the wood turned into
charcoal, some of it remained uncharred. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">By burning, Iwan obtained a situation that is symbolic
of historical phenomena that – (having been) deliberately ommited or forgotten
– turn to ash/carbon. At the same time, he also obtained a distinctive visual
effect. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">In another series, Iwan accidentally
discovered that the soot that got attached to the wood, after scraping, would
take on associative shapes, which, when finished, became more complete: forms of
children, or human body organs. Amazed by the results he got from the various
unintentional effects of his effort to find “other media”, Iwan seemed to get a
second wind. His experiments had brought him back to a creative state again. As
noted above, his sense of over-saturation with the uniform approach of art in
recent years, forced him to return, to dig for the roots of the problem in his own
art. It was not merely a matter of ideas but also, a matter of materials, or the
relationship between the two. And out of this saturation, the mechanical
artworks were born. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="IN" style="font-family: "Trebuchet MS"; font-size: 10.0pt; line-height: 150%;">I think that there are few young artists today
who see the correlation between material and idea as an important thing. As a
generation that lives under circumstances of extensive sign consumption, there
is really no need for them to embark on esthetic quests as Iwan has so
laboriously done. Everything is already provided by the digital world. The
quest is often treated as an exercise in futility. It is enough for them to
mimic. No effort is made to elaborate on what they are consuming. They are
satisfied enough with what they have consumed. Growing up in such a “stagnant”
situation, the games and experiments Iwan has conducted put him one step ahead
of his peers. </span><span class="Apple-style-span" style="font-family: 'Trebuchet MS'; font-size: 13px; line-height: 19px;">He has the courage to venture out of his
comfort zone. </span></div>
<!--EndFragment--><br />
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<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<b style="mso-bidi-font-weight: normal;"><span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Four<o:p></o:p></span></b></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">The Papermoon puppet theater group was founded
by Ria and Iwan in 2006. Ria's background as a theatrical performer and her
love of the world of children and fairytales led her to the world of the puppet
theater. Together with Iwan Effendi, she brought a theater that was initially branded
as (just) children's theater in a different direction. That children could
enjoy this kind of theater, so be it, but this did not mean that it stopped there;
it could also be a “purer" medium of expression. A different kind of
expression was initiated, in performances that began to address adult themes. This
went on, up to about a year ago, when they successfully staged <i style="mso-bidi-font-style: normal;">Mwathirika</i>, a puppet theater piece based
on the genocide of communist sympathizers in Indonesia in 1965. Their success
in working on “adult” themes enabled the theater group to successfully get past
the stereotype of puppet theater in Indonesia, as educational theater for
children. <o:p></o:p></span></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Iwan and Ria are truly inseperable from the
group; as its founders, they give its performances color. Ria's ability in
directing combines with Irwan's ability to give an artistic touch to the puppets
and stage settings. On the occasion of this exhibition, they will take
advantage of the gallery setting, which also happens to be a cafe. Judging from
their last stage performance, <i style="mso-bidi-font-style: normal;">Secangkir
Kopi dari Playa</i> (A Cup of Coffee from Playa), their capacity to respond to
spaces is amazing. They transformed a warehouse full of dusty antique furniture
into an imaginary space that allowed the audience to conjure exotic locales: Havana,
Jakarta, and love were materialized. In the gallery space they will respond to
the cafe tables as performance platforms. As in their previous works, audience interaction will be required here. It
is through audience interaction that the theatrical performance gets realized. Without
efforts by the viewers to pull the strings or hold the puppets, the performance
would not exist.<o:p></o:p></span></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">This exhibition at Kendra marks a new point of
departure for Iwan Effendi, Ria, and Papermoon. Although they depart as a
group, all of them essentially bring their own agendas to the exhibition: Iwan,
with his mechanical artworks, Ria, with her dioramachronicles, and Papermoon, with
its site-specific puppet theater. Let's hope that their agendas will be achieved:
we, as onlookers, are the eye witnesses to this important step they take. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">Agung
Kurniawan, curator and supporting artist,
31-05-2012<o:p></o:p></span></b></div>
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<i style="mso-bidi-font-style: normal;"><span lang="IN" style="color: black; font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;">(Translated
from the Indonesian by Sherry Kasman Entus)<o:p></o:p></span></i></div>
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<span lang="IN" style="font-family: 'Trebuchet MS'; font-size: 10pt; line-height: 150%;"><br /></span></div>
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<span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span id="goog_1976368633"></span><span id="goog_1976368634"></span></span></div>
</div>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-87177034741534885212012-04-11T01:38:00.005-07:002012-04-28T09:56:37.607-07:00Nyanyian Lirih Untuk Kisah Kisah Kecil<div style="text-align: left;">
<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dw2arPcM0xeFukZ1qXX9LcTbDN5MKNfMSPOrfbE4GcfGIQ39g3rp78RrC8bZRy54HCnQNV3-iqUkA' class='b-hbp-video b-uploaded' frameborder='0'></iframe></div>
<div>
<div style="text-align: left;">
<span class="Apple-style-span" style="font-size: 85%;">Nyanyian Lirih Untuk Kisah-kisah Kecil</span></div>
</div>
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<span class="Apple-style-span" style="font-size: 85%;"><br /></span></div>
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<div style="text-align: left;">
<span class="Apple-style-span" style="font-size: 85%;">for the detail video please check on <a href="http://vimeo.com/40506272" target="_blank">VIMEO</a></span></div>
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</div>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-38844309242516036342012-03-20T21:10:00.005-07:002012-03-30T13:37:31.963-07:00LIVING ROOM at S 14, Bandung<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhe0yfnRr3Kw1pHPQJeTy4ggcGRxh0V_HvJKKJ9V-DeCBQGxiu7uYHbeKtPIqAJxNYdmr3cOHNCK3Nxv1V07h8SyGAlLn318TcTB61pDAXClXegkMH4Pryr0LPxhIA8-8tK2k/s1600/_MG_3712.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhe0yfnRr3Kw1pHPQJeTy4ggcGRxh0V_HvJKKJ9V-DeCBQGxiu7uYHbeKtPIqAJxNYdmr3cOHNCK3Nxv1V07h8SyGAlLn318TcTB61pDAXClXegkMH4Pryr0LPxhIA8-8tK2k/s320/_MG_3712.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5722202777629444930" /></a><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-size:85%;">interactive puppet installation</span></div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXndQr9fqZev9QziC3tlTZvLLJ2S0brrc91tMw8tDib4yz-_tgGDCzyvJJv5UCH9DXI21hlpZhF2vzdEdlkVZuASbwZnf0iZFPNBJRiPVCx1D9AIltGXRk-JMWLJeu8r_ceKg/s1600/_MG_3720.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXndQr9fqZev9QziC3tlTZvLLJ2S0brrc91tMw8tDib4yz-_tgGDCzyvJJv5UCH9DXI21hlpZhF2vzdEdlkVZuASbwZnf0iZFPNBJRiPVCx1D9AIltGXRk-JMWLJeu8r_ceKg/s320/_MG_3720.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5722202778196552562" /></a><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU8bhvf-zVbbdS3-L90pAfjMZ_Pbr1aCqE46cOrCT9bn0kyxNV6imGLxyYFKBbdhCYgHgg2VLWj5qAXkVWzytxChbQrMg561JJWADKi324Fo8iiKWx7FvqrYjMqKX0f20vhqM/s1600/_MG_3724.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU8bhvf-zVbbdS3-L90pAfjMZ_Pbr1aCqE46cOrCT9bn0kyxNV6imGLxyYFKBbdhCYgHgg2VLWj5qAXkVWzytxChbQrMg561JJWADKi324Fo8iiKWx7FvqrYjMqKX0f20vhqM/s320/_MG_3724.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5722202765752707458" /></a><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6NHQAf5Rpw7pvemzhe5QzJTpMqJRFkUad4AiF2eZWUKeziLYAPzxFp2XvIjms0h2DoduHT_TWb3Xqlsq2uIgTDxSLqK8xjQDhseFnrtT6PnU8XJs35yP5onwhti8lhL2bOTI/s1600/_MG_3729.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6NHQAf5Rpw7pvemzhe5QzJTpMqJRFkUad4AiF2eZWUKeziLYAPzxFp2XvIjms0h2DoduHT_TWb3Xqlsq2uIgTDxSLqK8xjQDhseFnrtT6PnU8XJs35yP5onwhti8lhL2bOTI/s320/_MG_3729.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5722202762872798002" /></a><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtOzE1_7rnnWkWI-WjWmhcNd6urkNWLyyHq3DdKMq8QcsbG-RHLwd-gr8aTGuzWLrtzCSTKJphpnoHbcNz0vS4t5qSw7PUmI0M7zPmSdMkz93ZRWPUJYZ9S8kmVwkYsy2aGMc/s1600/_MG_3734.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtOzE1_7rnnWkWI-WjWmhcNd6urkNWLyyHq3DdKMq8QcsbG-RHLwd-gr8aTGuzWLrtzCSTKJphpnoHbcNz0vS4t5qSw7PUmI0M7zPmSdMkz93ZRWPUJYZ9S8kmVwkYsy2aGMc/s320/_MG_3734.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5722202757665689170" /></a><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkPtlSMZJpkZv5aHd0wGO5qAxvzwQ0Q7JjGofENoLO4xlsaR6be6Ob6XESiFWIjQqhTpgHkzwFbj7bhAP4e82ohhQnjutn5l0hX06D5EUrKCCj9avPPsUovv-anuwWgf4Vhkc/s1600/_MG_3736.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkPtlSMZJpkZv5aHd0wGO5qAxvzwQ0Q7JjGofENoLO4xlsaR6be6Ob6XESiFWIjQqhTpgHkzwFbj7bhAP4e82ohhQnjutn5l0hX06D5EUrKCCj9avPPsUovv-anuwWgf4Vhkc/s320/_MG_3736.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5722202033577587874" /></a><br /><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-size:85%;">drawing and automata: koganecho calling</span></div><div><br /><a 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href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiz8FqR78QCm71SO5deS9IVILpHglZOUBZgNic7MJkou-k1_ySFduhmCy81SkyDCsVCktE2Rv5a_tGhNTFf39PZJM3WLrTr31JZqSwboV_qSpjcuWQZDRs-2dR8HLjvRNXUrU/s1600/_MG_3745.JPG" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiz8FqR78QCm71SO5deS9IVILpHglZOUBZgNic7MJkou-k1_ySFduhmCy81SkyDCsVCktE2Rv5a_tGhNTFf39PZJM3WLrTr31JZqSwboV_qSpjcuWQZDRs-2dR8HLjvRNXUrU/s320/_MG_3745.JPG" border="0" alt="" id="BLOGGER_PHOTO_ID_5722202014753135170" /></a><br /></div></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span class="Apple-style-span" style="font-size: small; "> video of </span><span class="Apple-style-span" style="font-size:85%;">drawing automata</span></div><div><br /></div><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dyMuQJRFSCx2pLnUKzVFklQyRGSJ8uuj_IwLQeRB6NwsQNEGA9MyR4Lqe3jAmP7mneOwBq_3_Sd8Lc' class='b-hbp-video b-uploaded' frameborder='0'></iframe>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-37119312501440307852012-03-19T21:56:00.006-07:002012-03-19T22:32:49.480-07:00"LIVING ROOM", Artist In Residence, Koganecho Yokohama Japan<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT4CLrplpn3DisitqGr3IBNyWeb01FwRv_YjMwkChJL6mHuJ3ijtLy8Zwu1jVlLlPsRvrWvyGhBbkPQOD3KOsAJLr_VXA1XjLxxMk0_ig3LcmNtgNlLBhaSGJQctSj_MkQwQI/s1600/_MG_4191.jpg" onblur="try 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Roman"font-family:";"><span class="Apple-style-span" style="font-size:85%;"><br /></span></span></p><p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><span class="Apple-style-span" style="font-size:85%;"><br /></span></span></p><p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><span class="Apple-style-span" style="font-size:85%;"><br /></span></span></p><p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><span class="Apple-style-span" style="font-size:85%;"><br /></span></span></p><p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><span class="Apple-style-span" style="font-size:85%;"><br /></span></span></p><p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><span class="Apple-style-span" style="font-size:85%;"><br /></span></span></p><p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><span class="Apple-style-span" style="font-size:85%;">Papermoon Puppet Theatre, headed by visual artist Iwan Effendi and playwright Ria Sulistyani, reaches far beyond the traditional and explores the possibilities of puppetry through productions made with creators from a wide variety of fields. The voiceless Papermoon puppets, charming yet expressing an air of unease in their faces, do not limit themselves to stage performances, but also make appearances in the everyday spaces around us. With both light and dark undertones, the performances present a scathing criticism of social authority, all the while conveying hope in the power of the individual.<o:p></o:p></span></span></p> <p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><o:p><span class="Apple-style-span" style="font-size:85%;"> </span></o:p></span></p> <p class="MsoNormal"><span class="Apple-style-span" style="font-size:85%;"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";">In addressing the Living Room theme, Papermoon transformed the second floor of an old house into an interactive installation piece by pursuing the traces of the past left in the wooden structure’s walls and beams.</span><span style="font-family:"Microsoft Tai Le"; mso-fareast-font-family:"Times New Roman";mso-bidi-Microsoft Tai Le"font-family:";"> </span><span style="mso-fareast-font-family:"Times New Roman";mso-bidi-Times New Roman"font-family:";"><span style="mso-spacerun:yes"> </span>In a way, the space represented a meeting place where people, objects, and the past, present and future encounter each other. A hanging puppet greets the “audience” as they begin their ascent up the stairs, and once reaching the top, find a troupe of small, headless marionettes dancing before their eyes. An enormous, larger than life puppet with long, dangling limbs occupies one corner of the room. Sprite-like creatures peep curiously at spectators from the wooden posts scattered about the space. The body of a single marionette lays encased inside an incubator-like box, next to which on an earthen wall that looks as if it could crumble down at any moment, hangs a scrolling floral motif painting. Lastly, in the far corner, there stand the miniature, white buildings of a fictional town. <o:p></o:p></span></span></p> <p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><o:p><span class="Apple-style-span" style="font-size:85%;"> </span></o:p></span></p> <p class="MsoNormal"><span style="mso-fareast-font-family:"Times New Roman"; mso-bidi-Times New Roman"font-family:";"><span class="Apple-style-span" style="font-size:85%;">The “stage” does not provide the audience with any pre-conceived scenario. <span style="mso-spacerun:yes"> </span>Instead, the story begins when observers first step into the room and begin to interact with the objects and puppets, bringing the space to life each with his or her own memories and power of imagination. In this way, the puppets who silently await our arrival, present not a one-sided tale, but rather open to us the possibilities of interactive storytelling.</span></span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-size:85%;">Mayumi Hirano, Koganecho Area Management</span></p><p class="MsoNormal"><span class="Apple-style-span" style="font-size:78%;">all <span class="Apple-style-span" style="color: rgb(51, 51, 51); font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 14px; ">photo by: Yasuyuki Kasagi</span></span></p><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsoK_whj7mNSBYQ-IZIgq11RZyrdb12MHgPaV9ZyLOgFl6narle6F6DdL0IyvTjxCJXjzvlnks0zmBmwMQlT4oS1wyfVxiGcvYLqK9Ewnhj6fxvsP6zZebhRVelhN6cL4gaHA/s1600/_MG_4175.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsoK_whj7mNSBYQ-IZIgq11RZyrdb12MHgPaV9ZyLOgFl6narle6F6DdL0IyvTjxCJXjzvlnks0zmBmwMQlT4oS1wyfVxiGcvYLqK9Ewnhj6fxvsP6zZebhRVelhN6cL4gaHA/s320/_MG_4175.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5721843572641858018" /></a><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWGrQFIyKy_8bbCRYAdn_RwbmeKhKVpAQ-XIDgRPtdeTh73jAjSTf0rr57Mx7gMAOAhfqyCICQ72z5KjUO_WEpxZe0eae5o8Gk0UKpQ_JpwqwMzQp-U7a_c62yAuk8diWaKoo/s1600/_MG_4177.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; 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height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmunyqokVEpW05Nvf2Mx_qwSfGGHDibMs_HEni1g-aP4MZC8P-QFE9ATp-ej6D0imFACLOowvuXN8YlqWRApG9D5aetrK9Gn3t_8oNHwiFxw-lmrRs50EDYyNwd6j3ekXPqvA/s320/_MG_3648.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5721841904849629170" /></a><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgGLn7M63da4_9-nJ9_N3j5RSzduqis6otx0dO7VzVu6eUwsR3hf-z0epyMTlX8nLqDbeks5AsbhLqFVRn26MZlnQE7xREDZXUQAXvPvY6UGhRrY1ycj1e29fVeZatA-JAZXU/s1600/_MG_2065.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 214px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgGLn7M63da4_9-nJ9_N3j5RSzduqis6otx0dO7VzVu6eUwsR3hf-z0epyMTlX8nLqDbeks5AsbhLqFVRn26MZlnQE7xREDZXUQAXvPvY6UGhRrY1ycj1e29fVeZatA-JAZXU/s320/_MG_2065.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5721841900778235666" /></a><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs70ZWxJyKJieS8OW5khILe_V_Rxp8eGgxhsvtOQhxtsswWpqv7Oc4QHh2ZWdQshf7DKiERhBrzodZN-B9V_iKpLoJauDAHw8u1vW0OEkIXZC_oBBCjT5o282uqk2M9T_G3GE/s1600/+.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs70ZWxJyKJieS8OW5khILe_V_Rxp8eGgxhsvtOQhxtsswWpqv7Oc4QHh2ZWdQshf7DKiERhBrzodZN-B9V_iKpLoJauDAHw8u1vW0OEkIXZC_oBBCjT5o282uqk2M9T_G3GE/s320/+.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5721841901255816082" /></a><br /></div></div></div></div>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-81944572550885002412011-12-16T20:48:00.000-08:002011-12-16T20:52:02.392-08:00money culture<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2aXIyn3CFetovQip69GexJrPJ6DooGtS5wYUD_WmpRrsAFJnmQAnwwsvQULRkRbVghAJWT4JLntvruspTLzxzW-idKVVqVTVX2FA9zTXlYpZmWft3Dgg36rhsnBVjWUAm6Z0/s1600/No-money-No-hope-%25231.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 381px; height: 148px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh2aXIyn3CFetovQip69GexJrPJ6DooGtS5wYUD_WmpRrsAFJnmQAnwwsvQULRkRbVghAJWT4JLntvruspTLzxzW-idKVVqVTVX2FA9zTXlYpZmWft3Dgg36rhsnBVjWUAm6Z0/s320/No-money-No-hope-%25231.jpg" alt="" id="BLOGGER_PHOTO_ID_5686954978344092098" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJc9eB5K2lo6BY451sJhIhjr5t3Oche6T4XNiE-CDoaMhUA5lx4rFJd4teor0S9xah0YIKTLBmqadf3b5sAVNQ-sNe0xCP1RI2lZLQ29lVnyVrlSuixJmFElSOGjV_EnslYCc/s1600/No-money-No-hope-%25232.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 381px; height: 150px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJc9eB5K2lo6BY451sJhIhjr5t3Oche6T4XNiE-CDoaMhUA5lx4rFJd4teor0S9xah0YIKTLBmqadf3b5sAVNQ-sNe0xCP1RI2lZLQ29lVnyVrlSuixJmFElSOGjV_EnslYCc/s320/No-money-No-hope-%25232.jpg" alt="" id="BLOGGER_PHOTO_ID_5686954977791878402" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:85%;">no money no hope, graphite, coffee stain on watercolor paper, wood, 2011</span>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com1tag:blogger.com,1999:blog-32854074.post-15175569544872902202011-11-11T12:34:00.000-08:002011-11-11T12:44:30.874-08:00my online catalog<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7s0DbjoL2rGa2F9xLJDZLWylYwBG3coKakNw-l-0kT7xaWUihAQgoAxOp8rRz2KOVUqTiw9aQ8z2EImw3_cBpsmNNqVTJcJD2KXhdqBnZX6H7aYqEekC3HUOltNP-Vjj0yck/s1600/KTLG.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 326px; height: 244px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7s0DbjoL2rGa2F9xLJDZLWylYwBG3coKakNw-l-0kT7xaWUihAQgoAxOp8rRz2KOVUqTiw9aQ8z2EImw3_cBpsmNNqVTJcJD2KXhdqBnZX6H7aYqEekC3HUOltNP-Vjj0yck/s320/KTLG.jpg" alt="" id="BLOGGER_PHOTO_ID_5673841061384702050" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span class="messageBody" ft="{"type":3}" style="font-size:130%;"><br /><span style="font-size:100%;"><a onmousedown="'UntrustedLink.bootstrap($(this)," href="http://issuu.com/gamaliel_wb/docs/iwaneffendi" target="_blank" rel="nofollow nofollow"><span>http://issuu.com/gamaliel_wb/d</span><wbr>ocs/iwaneffendi</a></span></span>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com1tag:blogger.com,1999:blog-32854074.post-69014951589882594302011-11-11T12:24:00.000-08:002011-11-11T12:51:12.730-08:00by ozwildlifestudio.com<div class="post-thumbnail"> <span style="font-size:85%;"><span style="font-style: italic;">Reviewed by</span></span>: <span style="color: rgb(51, 102, 255);font-size:85%;" >http://ozwildlifestudio.com/featured/iwan-effendi-featured-artist/</span><br /><br /><span class="post-overlay"></span><span style="font-size:100%;">Iwan Effendi is a young Indonesian artist who attended art schools and has already had numerous exhibitions under his belt. I was immediately struck by the power of Iwan’s strong imagery and vivid colours. Before finding out anything about the inspiration behind this talented artist’s works, I loved the juxtaposition of his beautiful, sensitive imagery of nature and wildlife with more mysterious, disturbing elements which appeared to me as as freakish dolls or innocent, newborn children, missiles or alien spacecraft and tornadoes or nuclear clouds.</span></div> <!-- end .post-thumbnail --> <!-- Start Shareaholic LikeButtonSetTop Automatic --><!-- End Shareaholic LikeButtonSetTop Automatic --> <p><img class="size-large wp-image-9933 alignnone" title="The Crane Song by Iwan Effendi" src="http://ozwildlifestudio.com/wp-content/uploads/the_crane_song-by-Iwan-Effendi-550x368.jpg" alt="The Crane Song by Iwan Effendi" width="550" height="368" /></p> <p><span style="font-size:100%;"><em>The Crane Song</em> by Iwan Effendi</span></p> <p><span style="font-size:100%;">The picture you see above is what inspired me to have a closer look at this artist and his work and made me want to find out more about what exactly was going on in this artwork. Iwan said this about Crane Song<em> “it is a diptych of opposing colours of blue and orange tones composed of a man who wears eyes as his cloak”</em></span></p> <div id="attachment_9943" class="wp-caption alignleft" style="width: 160px;"><img class="size-full wp-image-9943" title="Iwan Effendi" src="http://ozwildlifestudio.com/wp-content/uploads/Iwan-Effendi.jpg" alt="Iwan Effendi" width="150" height="150" /><p class="wp-caption-text"><span style="font-size:85%;">Iwan Effendi</span></p></div> <p><span style="font-size:100%;">Maybe we need to look back at history to see where Ivan’s imagery is coming from. Here is an entry from an article written by Marilyn Goh.</span></p> <p><span style="font-size:100%;"><em>In 1965, Indonesia found itself once again at a political crossroads after having endured an extended period of political instability since securing independence from Dutch colonial rule. In the twilight of President Sukarno’s rule in 1965 marked by bitter ideological conflict and political polarization, a coup at the end of September triggered a widespread wave of violence that brought General Suharto to office for over 3 decades. Generations removed from these events after 5 decades, the suppression of dissident artistic voices in the Suharto’s iron-fisted rule mean that contemporary Indonesian artists have only in recent years, begun their cathartic response to the trauma.</em></span></p> <p><img class="size-large wp-image-9942 alignnone" title="Eye of the Messenger by Iwan Effendi" src="http://ozwildlifestudio.com/wp-content/uploads/Eye-of-the-Messenger-by-Iwan-Effendi-550x364.jpg" alt="Eye of the Messenger by Iwan Effendi" width="550" height="364" /></p> <p><span style="font-size:85%;"><em>Eye of the Messenger</em> by Iwan Effendi</span></p> <p><span style="font-size:100%;">This artwork is a response to the turmoil: interrogating the construction of Indonesian history in political upheaval of the 1960s and ultimately acknowledges that the socio-cultural and political discourses surrounding these years are cultivated, cultured and fabricated.</span></p> <p><span style="font-size:100%;">The works in <em>Eye of the Messenger</em> are ironic and multi-layered: dismembered, colourful body parts float in the dimensional space of the canvasses and are tacked onto each other. They can’t be contained by the boundaries of canvas, spilling out of the seams and onto the surrounding white walls. Unlike the luminous simplicity and crack-quality of flat-faced satiric drawings that invite ridicule and laughter, Effendi’s cartoonish works cry out like multiple voices in a Greek tragedy clamouring to claim their own truth. In this context of use, reception and exchange, Effendi’s works accrue a varied interpretive history of – and perhaps even grant absolution to –those who have found finally regained their silenced voices.</span></p> <p><img class="size-large wp-image-9945 alignnone" title="long_lost_memories by Iwan Effendi" src="http://ozwildlifestudio.com/wp-content/uploads/long_lost_memories-by-Iwan-Effendi-550x256.jpg" alt="long_lost_memories by Iwan Effendi" width="550" height="256" /></p> <p><span style="font-size:85%;"><em>“Long Lost Memories”</em> by Iwan Effendi</span></p> <p><span style="font-size:100%;">Iwan describes<em> “Long Lost Memories”</em> as a piece of bulbous objects, bird eggs and birds that peer disconcertingly into nothingness. <em>“But thank god, our eyes can’t lie,”</em> Effendi further remarks.<em> </em>Ocularity and perception feature prominently in his canvases; the physical eye, and by extension, the visual experience, is used as a cautionary metaphor because of its ability to fall prey to yet simultaneously, resist manipulations.</span></p> <p><span style="font-size:100%;">Imaginative characters placed amidst the bright colors of a never-never land is the visual language of Iwan Effendi. Ofttimes we come across war-like visual elements in his works; aircraft, tank, which occasionally deformed in animal shapes. It allied closely to his fondness for war stories, such as the epic of the Second World War. It was into this tale that Iwan unravelled his ideas.</span></p> <p><span style="font-size:100%;">Iwan Efendi’s imagery also became characters in the form of puppets. His grandfather had been a puppeteer <em>artist who devoted himself to the tradition of wayang. </em>in <em>He heard the story about the arrest of his grandfather, a puppeteer artist who devoted himself to the tradition of wayang. He, as well, understood that his grandfather was arrested for being alleged as a member of Communist Party of Indonesia (Partai Komunis Indonesia, PKI).</em></span></p> <div class="mceTemp"> <div id="attachment_9954" class="wp-caption alignnone" style="width: 560px;"><img class="size-large wp-image-9954" title="Iwan's Puppet Show" src="http://ozwildlifestudio.com/wp-content/uploads/Iwans-Puppet-Show-550x412.jpg" alt="Iwan's Puppet Show" width="550" height="412" /><p class="wp-caption-text"><span style="font-size:85%;">Iwan's Puppet Show</span></p></div> <dl id="attachment_9944" class="wp-caption alignnone" style="width: 560px;"><dt class="wp-caption-dt"><img class="size-large wp-image-9944" title="Iwan Effendi with his Eye Seeing puppet" src="http://ozwildlifestudio.com/wp-content/uploads/Iwan-Effendi-with-his-Eye-Seeing-puppet-550x365.jpg" alt="Iwan Effendi with his Eye Seeing puppet" width="550" height="365" /><span style="font-size:85%;">Puppet Performance in the opening of Iwan Effendi solo show at Yavuz Fine Art<br /></span></dt></dl> </div> <p><span style="font-size:100%;">The opportunity to meet Maria Tri Sulistyani, a children’s book author who later became his beloved wife, has led him to visualizations of children’s tales from around the world. He did not stop there; he developed Papermoon puppet theatre, which was formerly initiated by Maria. Together with his wife, Iwan began exploring the medium of puppets. To Iwan Effendi, the expansion of his visual expressions into puppet theatre is an extraordinary challenge that would meet no end. Accepting and referring to the philosophy of puppet theatre—<em>“sincerity of being nobody”</em>—Iwan put aside his ego as an artist and surrender himself to the world of puppeteering. It had not been an easy start, yet lately he found it intensely addictive; puppet theatre has animated his visual figures. <em>extract from an article written by Ade Tanesia </em></span></p> <p><span style="font-size:100%;">Sources:<em> Ade Tanesia and Marilyn Goh</em></span></p>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-50184292093799711012011-10-27T09:02:00.000-07:002011-10-28T04:52:06.807-07:00The “Missing” Eye of the Messenger<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW1A58_CT7hqLWxxE4uzrff2K5DE3q0IjgdzgnbNVwIqrZSiPQ_33OPUPe0gr_Wf0Eek8VAwIsfKDM-BDC2luoqxAxy9YAZRckuJLSS0q_0qztgunJ1YCoNUqzl5Ln5fqh9s4/s1600/puppet.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 415px; height: 276px;" 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line-height: 150%;"><br /></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;">The “Missing” Eye of the Messenger<o:p></o:p></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;">Astrid Reza</p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /><o:p></o:p></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;">Let us imagine Indonesia in 1965 as a 20-year-old nation. A dynamic, intelligent, vigorous youth. Brave enough to refused the aid from United States. Believed in being revolutionaries to change the nation faith for the better. The political dynamic was in its heyday, with the Indonesian Communist Party (PKI – PartaiKomunis Indonesia) seems to be winning the majority. Then suddenly after the night of 30<sup>th</sup> September 1965, this youth changed dramatically. The eye of the youth changed into a dark gloomy desperate old eye. The youth body lost its spirit, oppressed and just stood there as to watched the bloodiest event in the modern Indonesian history. Millions were killed and gone missing, no one know the exact number. The effect of the event was tremendous that the rivers in Java and Bali turn to the color of blood red.The army took power under General Suharto. No one stop the killings under the name to exterminate the communist. Since then the word “communist” went missing from the tongue of Indonesian cause of fear and traumatized memories. It was an unstoppable mass killing unheard by the world maybe even until today.</p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /><o:p></o:p></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;">Forty-six years later, we found this same eye lingering still in Iwan Effendi’s paintings. At sixty-six years old, Indonesia became the fat old corrupted image of an old man. But the eyes, the same dark gloomy desperate old eye stayed the same. It stayed as to wait for judgment day. Some say, the eyes are the key of the heart. These eyes represent the Indonesian heart struggling with their unresolved histories.</p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /><o:p></o:p></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;">In the series of paintings by Iwan Effendi together with the poems of Maria Tri Sulistyani, this “missing” histories making their way to be re-interpreted by the generations of Indonesian who are lost in the knowledge of their own history. For to understand ourselves today is to dig into our own history, on where we come from and how are we standing here today. Iwan uses the metaphor of eyes, heads and birds throughout his paintings to describe his perception of the event in 1965. The lost of hope in the sad eyes, decapitated heads everywhere and rumors around the event (“kabarburung” in Indonesian means “news bird” or to be translated as gossip surrounding the truth). While Maria’s poem seems to sing away in a melancholic tone accompanying the paintings. If Iwan’s painting could sing, Maria’s poems are their voices.<o:p></o:p></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;">While working on his works, no matter how bright the colors Iwan’s trying to put in his painting, the gloom of the work atmosphere always stays. The process for him is like taking off a dark veil of his own nation. Like what Maria said because this matter could not be taken lightly that it’s not a bright happy thing to be brought up. To talk about the killings, the sadness, the anger, the silence and the lost of hope from such a long time, had never been an easy thing to do for anyone. To express the poems for her is to mourn the faith of the unheard victims.<br /></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><br /><o:p></o:p></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;">These works are an attempt to reread the history of a nation, of what had gone wrong, putting a puzzle together to convey a message from the past for a better humanity in the future. It is a reminder for us that the same thing could happen again. Humancapability of destruction and violence could create such a hellish moment in a nation’s memories. Finding the truth of the event is very important as a learning process for every single human being. For the hope someday the eye of the messenger could flicker and brighten. That an old body could maintains its young spirit and optimistic heart. That hope could never be completely lost.<o:p></o:p></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: 150%;"><o:p> </o:p></p> <p class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: right; line-height: 150%;" align="right">Yogyakarta, 10th September 2011<o:p></o:p></p> </w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:lsdexception></w:latentstyles></xml></m:defjc></m:rmargin></m:lmargin></m:dispdef></m:smallfrac></m:brkbinsub></m:brkbin></m:mathfont></m:mathpr></w:donotoptimizeforbrowser></w:word11kerningpairs></w:dontvertalignintxbx></w:dontbreakconstrainedforcedtables></w:dontvertaligncellwithsp></w:splitpgbreakandparamark></w:dontgrowautofit></w:useasianbreakrules></w:wraptextwithpunct></w:snaptogridincell></w:breakwrappedtables></w:compatibility></w:donotpromoteqf></w:validateagainstschemas></w:punctuationkerning></w:trackformatting></w:trackmoves></w:worddocument></xml>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-73305272739190278732011-10-19T21:07:00.000-07:002011-10-19T21:13:32.669-07:00Eye of The Messenger is Reviewed on Daily Serving-New York<div class="postmetadata"><li>By Marilyn Goh</li> <li>Tags: <a href="http://dailyserving.com/tag/indonesia/" rel="tag">Indonesia</a>, <a href="http://dailyserving.com/tag/iwan-effendi/" rel="tag">Iwan Effendi</a>, <a href="http://dailyserving.com/tag/singapore/" rel="tag">Singapore</a>, <a href="http://dailyserving.com/tag/yavuz-fine-art-gallery/" rel="tag">Yavuz Fine Art Gallery</a></li> </div> <h2><a href="http://dailyserving.com/2011/10/eye-of-the-messenger/" rel="bookmark">Eye of the Messenger</a></h2> <!-- <div class="hr2"></div> --> <div id="attachment_20329" class="wp-caption aligncenter" style="width: 610px;"><a rel="attachment wp-att-20329" href="http://dailyserving.com/2011/10/eye-of-the-messenger/the_crane_song/"><img style="width: 413px; height: 278px;" class="size-full wp-image-20329" title="the_crane_song" src="http://dailyserving.com/wp-content/uploads/2011/10/the_crane_song.jpg" alt="" /></a><p class="wp-caption-text"><span style="font-size:85%;"><span style="font-style: italic;">Iwan Effendi, The Crane Song, 2011, Acrylic on canvas, 100cm x 150cm. Image Courtesy of Yavuz Fine Art. </span><br /></span></p><p class="wp-caption-text"><span style="font-size:85%;"><br /></span></p></div> <p>The joy and plight of many contemporary, Western-centric cultural practices today is the recognition that artistic shouldering of the collective burden of history does not necessarily attribute any value to the work. At worst, it is unfashionable and counter-productive to contemporary discourse; at best, it provides a vague notion of plurality and diversity that benefits a particular portion of the arts patronage. On the contrary, contemporary Asian art’s transformative power and value in the region, almost always lies in recollection of the memories of post-war political independence, the marvel at socio-economic progress and sorrows of rapid industrialization.</p> <p>In 1965, Indonesia found itself once again at a political crossroads after having endured an extended period of political instability since securing independence from Dutch colonial rule. In the twilight of President Sukarno’s rule in 1965 marked by bitter ideological conflict and political polarization, a coup at the end of September triggered a widespread wave of violence that brought General Suharto to office for over 3 decades. Generations removed from these events after 5 decades, the suppression of dissident artistic voices in the Suharto’s iron-fisted rule mean that contemporary Indonesian artists have only in recent years, begun their cathartic response to the trauma.</p> <p><em><a onclick="pageTracker._trackPageview('/outgoing/www.yavuzfineart.com/exhibitions.html?referer=http%3A%2F%2Ft.co%2FtzZPlKa8');" href="http://www.yavuzfineart.com/exhibitions.html" target="_blank">Eye of the Messenger</a></em> by <a href="http://dailyserving.com/2011/10/eye-of-the-messenger/elieffendi.blogspot.com" target="_blank">Iwan Effendi</a> at the <a onclick="pageTracker._trackPageview('/outgoing/www.yavuzfineart.com/index.html?referer=http%3A%2F%2Ft.co%2FtzZPlKa8');" href="http://www.yavuzfineart.com/index.html" target="_blank">Yavuz Fine Art Gallery</a> is such a response, interrogating the construction of Indonesian history in political upheaval of the 1960s and ultimately acknowledges that the socio-cultural and political discourses surrounding these years are cultivated, cultured and fabricated.</p> <p>As <a onclick="pageTracker._trackPageview('/outgoing/www.amazon.com/exec/obidos/tg/detail/-/0805202412/?referer=http%3A%2F%2Ft.co%2FtzZPlKa8');" href="http://www.amazon.com/exec/obidos/tg/detail/-/0805202412/" target="_blank">Walter Benjamin</a> wrote, the craft of storytelling, does not aim to convey the pure essence of the thing, like information or a report, [but instead] sinks the thing into the life of the storyteller, in order to bring it out of him again. Similarly, a desire to contribute his own gesture of political resistance and social commentary underlies Effendi’s surrealistic images through a combination of word-and-image binary that is part-storytelling, part-myth and part-reality.</p> <div id="attachment_20330" class="wp-caption aligncenter" style="width: 610px;"><a rel="attachment wp-att-20330" href="http://dailyserving.com/2011/10/eye-of-the-messenger/long_lost_memories/"><img style="width: 410px; height: 195px;" class="size-full wp-image-20330" title="long_lost_memories" src="http://dailyserving.com/wp-content/uploads/2011/10/long_lost_memories.jpg" alt="" /></a><p style="font-style: italic;" class="wp-caption-text"><span style="font-size:85%;">Iwan Effendi, Long Lost Memories, 2011, Acrylic on canvas, 70.5cm x 150cm. Image Courtesy of Yavuz Fine Art.<br /></span></p><p style="font-style: italic;" class="wp-caption-text"><br /></p></div> <div id="attachment_20331" class="wp-caption aligncenter" style="width: 610px;"><a rel="attachment wp-att-20331" href="http://dailyserving.com/2011/10/eye-of-the-messenger/the_bird_who_feeds_the_fish/"><img style="width: 411px; height: 193px;" class="size-full wp-image-20331" title="the_bird_who_feeds_the_fish" src="http://dailyserving.com/wp-content/uploads/2011/10/the_bird_who_feeds_the_fish.jpg" alt="" /></a><p class="wp-caption-text"><span style="font-size:85%;"><span style="font-style: italic;">Iwan Effendi, The Bird Who Feeds The Fish, 2011, Acrylic on canvas, 70.5cm x 150cm. Image Courtesy of Yavuz Fine Art.</span></span></p><p class="wp-caption-text"><br /><span style="font-size:85%;"><span style="font-style: italic;"></span></span></p></div> <p>“Here I tell you, my friends,” Effendi writes in his catalogue, “a story where history was buried.” A large green tree with all-seeing eyes dominates <em>Treasure Hunt</em> (2011); <em>The Crane Song</em> (2011) is a diptych of opposing colours of blue and orange tones composed of a man who wears eyes as his cloak; <em>Long Lost Memories</em> (2011) is a piece of bulbous objects, bird eggs and birds that peer disconcertingly into nothingness. “But thank god, our eyes can’t lie,” Effendi further remarks.<em> </em>Ocularity and perception feature prominently in his canvases; the physical eye, and by extension, the visual experience, is used as a cautionary metaphor because of its ability to fall prey to yet simultaneously, resist manipulations.</p> <div id="attachment_20332" class="wp-caption aligncenter" style="width: 610px;"><a rel="attachment wp-att-20332" href="http://dailyserving.com/2011/10/eye-of-the-messenger/dsc_0025/"><img style="width: 396px; height: 264px;" class="size-full wp-image-20332" title="DSC_0025" src="http://dailyserving.com/wp-content/uploads/2011/10/DSC_0025.jpg" alt="" /></a><p style="font-style: italic;" class="wp-caption-text"><span style="font-size:85%;">Iwan Effendi, Eye of the Messenger 2011, Installation View. Image Courtesy of Yavuz Fine Art.<br /></span></p><p style="font-style: italic;" class="wp-caption-text"><span style="font-size:85%;"><br /></span></p></div> <p>The works in <em>Eye of the Messenger</em> are ironic and multi-layered: dismembered, colourful body parts float in the dimensional space of the canvasses and are tacked onto each other. They can’t be contained by the boundaries of canvas, spilling out of the seams and onto the surrounding white walls. Unlike the luminous simplicity and crack-quality of flat-faced satiric drawings that invite ridicule and laughter, Effendi’s cartoonish works cry out like multiple voices in a Greek tragedy clamouring to claim their own truth. In this context of use, reception and exchange, Effendi’s works accrue a varied interpretive history of – and perhaps even grant absolution to –those who have found finally regained their silenced voices.</p> <p>***</p> <p><em>Eye of the Messenger</em> is on show at the Yavuz Fine Art Gallery until 13 November 2011.</p>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-41134059845922331112011-10-02T09:25:00.001-07:002012-01-02T06:08:15.356-08:00EYE OF THE MESSENGER<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUVtAT4ud5LA1IIwlitOnp9pVzZEFvOwyAcTDrivJIzzJCuOxDFrDDEe7yVFTPFb3b042Gi68g9EAzJp1E3kiBYnPvWk10zm3oGryKD-j3FZ9-bFvqTKb916atDF8bdXUeBO0/s1600/big+rez.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 106px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUVtAT4ud5LA1IIwlitOnp9pVzZEFvOwyAcTDrivJIzzJCuOxDFrDDEe7yVFTPFb3b042Gi68g9EAzJp1E3kiBYnPvWk10zm3oGryKD-j3FZ9-bFvqTKb916atDF8bdXUeBO0/s320/big+rez.jpg" alt="" id="BLOGGER_PHOTO_ID_5693036032551996242" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0gGpQmUpv7xRAxBDNvJrkfnXWyEZaJWrFNa3qnp53831q0vts16Kf58YzkySHCgPLCVv_gpu2usgwFmv4abHrK5UGteU-VFkCjhdvhxo2Z2C4QtrsVGhr2i4CvZ78YmlPaXM/s1600/eye+140.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 309px; height: 232px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0gGpQmUpv7xRAxBDNvJrkfnXWyEZaJWrFNa3qnp53831q0vts16Kf58YzkySHCgPLCVv_gpu2usgwFmv4abHrK5UGteU-VFkCjhdvhxo2Z2C4QtrsVGhr2i4CvZ78YmlPaXM/s320/eye+140.jpg" alt="" id="BLOGGER_PHOTO_ID_5658932017631068754" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmBjlmSGLHnrJbfKEhnxJExmcNlPpbanf4-SzVMc-GvaUz3vikyr-Y4lPCSCmyp8HKueQlxunsiLT6c6ciLUhALXGxSA-N8HZtXBYcm753AQKsDFBJ8IquZ85-KjJ9wIIzRSw/s1600/eye+104.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 309px; height: 412px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmBjlmSGLHnrJbfKEhnxJExmcNlPpbanf4-SzVMc-GvaUz3vikyr-Y4lPCSCmyp8HKueQlxunsiLT6c6ciLUhALXGxSA-N8HZtXBYcm753AQKsDFBJ8IquZ85-KjJ9wIIzRSw/s320/eye+104.jpg" alt="" id="BLOGGER_PHOTO_ID_5658932016119105682" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVfYf74CnJhgxYr1lIYHFli0lY5-8fYgiV3HGa568tWGR5YzL-hZosGdmWopRZssNzlz0pLpddafj0Rm8HMnMiTm0NlV3sNLQ6ZvnlNrcIDN92Em0gImHCJ3VGKgwje-ycveQ/s1600/eye+058.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 314px; height: 418px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVfYf74CnJhgxYr1lIYHFli0lY5-8fYgiV3HGa568tWGR5YzL-hZosGdmWopRZssNzlz0pLpddafj0Rm8HMnMiTm0NlV3sNLQ6ZvnlNrcIDN92Em0gImHCJ3VGKgwje-ycveQ/s320/eye+058.jpg" alt="" id="BLOGGER_PHOTO_ID_5658932011469088898" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYV81eN6W9GleotrM0xax9C3P0XIEACWAEbPdLn9CP5tvoq7TxIpgMMI2sQiepzEizr9Lsu9p3A4viXhfbqHznXV7siBxQOJLpT9hcxXMTCikgxHjLUfkrv1z3pcUVAm1CXIs/s1600/eye+064.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 310px; height: 233px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYV81eN6W9GleotrM0xax9C3P0XIEACWAEbPdLn9CP5tvoq7TxIpgMMI2sQiepzEizr9Lsu9p3A4viXhfbqHznXV7siBxQOJLpT9hcxXMTCikgxHjLUfkrv1z3pcUVAm1CXIs/s320/eye+064.jpg" alt="" id="BLOGGER_PHOTO_ID_5658932012090505154" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLJH-3mo4sKmmu_um070GDMJWUW2vFwJuGohyphenhyphenZb_8oTomfFXcSTfK23-6gfe1x-4aDvMGRVMXhqLA5MN6Aa-dw2QLHbaj8RqwwP1Is3EnGe7UoSWyEI8U3CboOGsSHkxJxahQ/s1600/eye+052.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLJH-3mo4sKmmu_um070GDMJWUW2vFwJuGohyphenhyphenZb_8oTomfFXcSTfK23-6gfe1x-4aDvMGRVMXhqLA5MN6Aa-dw2QLHbaj8RqwwP1Is3EnGe7UoSWyEI8U3CboOGsSHkxJxahQ/s320/eye+052.jpg" alt="" id="BLOGGER_PHOTO_ID_5658932007799782306" border="0" /></a>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com1tag:blogger.com,1999:blog-32854074.post-82671453282735808432011-08-06T10:41:00.001-07:002011-08-06T10:42:56.517-07:00COMING SOON........betrayed by me...iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-37992933288799902692011-07-16T16:22:00.000-07:002011-08-20T06:49:37.454-07:00asterix series<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-9sQtKZBjDCu5e_ZGGZqw08KWAuIicH_OTPZHHZfxMn6nPGlWEjgjvOZ3bydY7f14rDQGzhzUXK1YPednzMusQYvPz5waPeX3KLu9S6wpFM9R3ie5Lkn4WvFtHI0wzih6bo8/s1600/sang+peramal.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 260px; height: 238px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-9sQtKZBjDCu5e_ZGGZqw08KWAuIicH_OTPZHHZfxMn6nPGlWEjgjvOZ3bydY7f14rDQGzhzUXK1YPednzMusQYvPz5waPeX3KLu9S6wpFM9R3ie5Lkn4WvFtHI0wzih6bo8/s320/sang+peramal.jpg" alt="" id="BLOGGER_PHOTO_ID_5631126368152632754" border="0" /></a>
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<br /><span style="font-size:85%;">in collaboration with amenk coy...</span>
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<br /><span style="font-size:85%;">say hallo to the new prophet</span>
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<br /><span style="font-size:85%;">in the eyes of the world we are the victim</span>
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<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvIzXblW2Dp1L3wXQ48OsQa6u_-xVrN-7aJ8iJ1ch8vpjeLCzK0pS-1VsLQRnbXS8S1hB5mHqlJfxlOWmiyGIVUH3oV6XPkes_8gNHZQsoIhZFF1xMmiDYzuce_kPCBXWGDP0/s1600/red+monument.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 111px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvIzXblW2Dp1L3wXQ48OsQa6u_-xVrN-7aJ8iJ1ch8vpjeLCzK0pS-1VsLQRnbXS8S1hB5mHqlJfxlOWmiyGIVUH3oV6XPkes_8gNHZQsoIhZFF1xMmiDYzuce_kPCBXWGDP0/s320/red+monument.jpg" alt="" id="BLOGGER_PHOTO_ID_5630094844633369458" border="0" /></a>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-40262135261117246672011-07-01T11:00:00.001-07:002011-07-01T11:00:52.833-07:00iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-70660236543937143832011-06-07T22:03:00.000-07:002011-06-07T22:10:23.448-07:00my magical left hand<iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dyz_l82xA8MYD8wLphQlVkmrOaTVGuQ8dwIdoJV21CSzwEumnJpsXGIjP2dNefNhk4ufTgTi7SRvkY' class='b-hbp-video b-uploaded' frameborder='0'></iframe><br /><span style="font-size:85%;">mix media</span>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com3tag:blogger.com,1999:blog-32854074.post-34404911096022268692011-06-07T20:03:00.000-07:002011-06-07T20:23:10.241-07:002011<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNz1G5Fd7YB6JcMjcvx_DsD_Y4e3GD0OFh6yr05M5k6BB8H1rmAn_eYZWQffwsKKCNHYGSEFAeCRdCmtkXX16GkHSEesDD9EbOWEReqrNZI-1lFPwgf3h4lIhTvtDvKrJcM2Q/s1600/rez-4.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 238px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNz1G5Fd7YB6JcMjcvx_DsD_Y4e3GD0OFh6yr05M5k6BB8H1rmAn_eYZWQffwsKKCNHYGSEFAeCRdCmtkXX16GkHSEesDD9EbOWEReqrNZI-1lFPwgf3h4lIhTvtDvKrJcM2Q/s320/rez-4.jpg" alt="" id="BLOGGER_PHOTO_ID_5615684195642703906" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn96h88R7O2AIY2rdb9XU3M9HkWXwwGtq0NU98Rt8MweOo1gwrVn_X2XuxwEAq-zVixQJ1fqLk1wlKkHNKX5wrBpaK-9D7Z9Asr4uBgH5YOTdnTgF6AOZSQ4TWvlZCaqKIfBc/s1600/rez-holy+general.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 290px; height: 354px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhn96h88R7O2AIY2rdb9XU3M9HkWXwwGtq0NU98Rt8MweOo1gwrVn_X2XuxwEAq-zVixQJ1fqLk1wlKkHNKX5wrBpaK-9D7Z9Asr4uBgH5YOTdnTgF6AOZSQ4TWvlZCaqKIfBc/s320/rez-holy+general.jpg" alt="" id="BLOGGER_PHOTO_ID_5615683763593511602" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsp8Gr61aE6G5KSaewEL4b5ZBFvSnHS-RnMIsRAq7iLt_4R33ufb6xQ5p2Ofr8jxBxCAoj46K_t73xb6-YOE4g6t4gZpHgpuJXDwxkSVmMEoBdd410vfgeQW-bk0TW0h-bU6w/s1600/rez-untitle.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 293px; height: 348px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsp8Gr61aE6G5KSaewEL4b5ZBFvSnHS-RnMIsRAq7iLt_4R33ufb6xQ5p2Ofr8jxBxCAoj46K_t73xb6-YOE4g6t4gZpHgpuJXDwxkSVmMEoBdd410vfgeQW-bk0TW0h-bU6w/s320/rez-untitle.jpg" alt="" id="BLOGGER_PHOTO_ID_5615683760760386594" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimLxoM6s-IMDnQF-dRREvsaedzrjFbr8oHCUMrUt7Oage8YBig4dGBFMDk4rs8lSAx6u30aYh4C7yWMMBrsdV3qxYJb1ceU-l11KW7KcL2yCSHe050A5LY88T8ntH5mJtdyXU/s1600/rez-3.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 297px; height: 470px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimLxoM6s-IMDnQF-dRREvsaedzrjFbr8oHCUMrUt7Oage8YBig4dGBFMDk4rs8lSAx6u30aYh4C7yWMMBrsdV3qxYJb1ceU-l11KW7KcL2yCSHe050A5LY88T8ntH5mJtdyXU/s320/rez-3.jpg" alt="" id="BLOGGER_PHOTO_ID_5615683757959749010" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNRNMHlJ5dfBGmsERDY_QhxV3NIFSOlnXeyQTYi42apnPexGM8WI1qxSfOl8ZllNz3tttAH8e_8WiXqKatYS8K91bV47MS3SM-lmWLeWSjQlrkLvAGdtdvtny82GmFc6pTCW0/s1600/rez-replace.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 299px; height: 410px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNRNMHlJ5dfBGmsERDY_QhxV3NIFSOlnXeyQTYi42apnPexGM8WI1qxSfOl8ZllNz3tttAH8e_8WiXqKatYS8K91bV47MS3SM-lmWLeWSjQlrkLvAGdtdvtny82GmFc6pTCW0/s320/rez-replace.jpg" alt="" id="BLOGGER_PHOTO_ID_5615682167599318114" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7pqR8nHvR6znkkCWZyb_z-JpdGbYf3LUDHdNrsDjQzXQ5m8Bm2mUztwVXG1Hg2guI5QHZym4PuAq4aDZ0pGB3OfuLyRiLr02mTi5kb3f8OI-wfVSR_ix_r8LIxZFtz5a_6S0/s1600/rez-7.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 305px; height: 411px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7pqR8nHvR6znkkCWZyb_z-JpdGbYf3LUDHdNrsDjQzXQ5m8Bm2mUztwVXG1Hg2guI5QHZym4PuAq4aDZ0pGB3OfuLyRiLr02mTi5kb3f8OI-wfVSR_ix_r8LIxZFtz5a_6S0/s320/rez-7.jpg" alt="" id="BLOGGER_PHOTO_ID_5615682165368986674" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrdc0yPTibcD8j8isZVsn0t9EnWmgNadPldxP8dZub1glU5uoypp1cARxq08LfKXle7hyphenhyphenutRUJ-sQ-R-IOD9i9ApgiTPbWF5JiLk4pYv07plbdVL6ro5HvOBMy5_PHyB0OQto/s1600/rez-2.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 311px; height: 456px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrdc0yPTibcD8j8isZVsn0t9EnWmgNadPldxP8dZub1glU5uoypp1cARxq08LfKXle7hyphenhyphenutRUJ-sQ-R-IOD9i9ApgiTPbWF5JiLk4pYv07plbdVL6ro5HvOBMy5_PHyB0OQto/s320/rez-2.jpg" alt="" id="BLOGGER_PHOTO_ID_5615682162420161874" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguMtZyKf04s7PQu-FHJg6jKf7RefXqdjSPn-onKYOLH5u04TYS0_7BennyxVVtcwrttFioCnWoyYae_2VQwyNyeN8E_LGGaIzJ2rmGo7Yz5zfkt7XP_3lZ-tBfpTbLHN6OlBs/s1600/rez-1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 213px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguMtZyKf04s7PQu-FHJg6jKf7RefXqdjSPn-onKYOLH5u04TYS0_7BennyxVVtcwrttFioCnWoyYae_2VQwyNyeN8E_LGGaIzJ2rmGo7Yz5zfkt7XP_3lZ-tBfpTbLHN6OlBs/s320/rez-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5615682159394180258" border="0" /></a>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-20611851358483824982011-04-05T01:09:00.001-07:002011-09-10T05:25:01.007-07:00holy knight<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnA9oVDu_urAxQlLgbjaz5_2TKXv6pX8enzEBuyep3wF0UjdXc79Ug2Ci1jX8OZAa3JI5ii57D5mPjoDxdf8WLuW08tctG1p4avSO3PrVOtectgxO3okafpiXczXuEU-K9_6w/s1600/eli+victim.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 260px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnA9oVDu_urAxQlLgbjaz5_2TKXv6pX8enzEBuyep3wF0UjdXc79Ug2Ci1jX8OZAa3JI5ii57D5mPjoDxdf8WLuW08tctG1p4avSO3PrVOtectgxO3okafpiXczXuEU-K9_6w/s320/eli+victim.jpg" alt="" id="BLOGGER_PHOTO_ID_5600579685480947378" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNqaqB86V9rLZ7QGe5jTSgkSQrzrv2IC7lyE0K1antY0xk2eWtzCUEJ9YM1rqKbYaKUujfAxoc_oNzw10SPOiRrcZ1kkPqUy9LY8AB3Hauvm1GdR1JwO2LBfsTA66OIewdRLU/s1600/holy+knight1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 320px; height: 159px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNqaqB86V9rLZ7QGe5jTSgkSQrzrv2IC7lyE0K1antY0xk2eWtzCUEJ9YM1rqKbYaKUujfAxoc_oNzw10SPOiRrcZ1kkPqUy9LY8AB3Hauvm1GdR1JwO2LBfsTA66OIewdRLU/s320/holy+knight1.jpg" alt="" id="BLOGGER_PHOTO_ID_5592008893000322562" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:85%;">Holy Knight, acrylic on canvas, 300 x 150 cm, 2011<br /><br /></span>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com1tag:blogger.com,1999:blog-32854074.post-85078819761051600152010-12-17T19:40:00.000-08:002011-03-02T00:42:00.024-08:00my 2010 wood<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJF0-VVZDZQkZgFh0TlA2INZY8qZxsajBCSPhCQR8FwBYReXdP9pN7FYnJu8ia58h3rJESuYL56Z3R8vG6aSUj6XgoUZzVJUdqP8imsrhdtZeCXEkkjmmzDQkmdcgHrjfdeDo/s1600/tupumoyo.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 283px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJF0-VVZDZQkZgFh0TlA2INZY8qZxsajBCSPhCQR8FwBYReXdP9pN7FYnJu8ia58h3rJESuYL56Z3R8vG6aSUj6XgoUZzVJUdqP8imsrhdtZeCXEkkjmmzDQkmdcgHrjfdeDo/s320/tupumoyo.jpg" alt="" id="BLOGGER_PHOTO_ID_5579399786290636130" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:85%;"><span style="font-weight: bold;">Tupu and The king</span>, acrylic, pencil on wood, 120 x 48 cm, 2010</span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKSYoKTFI2VurOdB8QOBlX5fosoqB0bzDQSTwQZQ9ENN8j2OTH131Gsf_nHL_Dm2gkfxH3knS9s-uYWyrxr8wU72G4QIJSs9NhO8aWWhadlzUAZDwCkFiBWxxN-KcwkDySARo/s1600/tupu1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 127px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKSYoKTFI2VurOdB8QOBlX5fosoqB0bzDQSTwQZQ9ENN8j2OTH131Gsf_nHL_Dm2gkfxH3knS9s-uYWyrxr8wU72G4QIJSs9NhO8aWWhadlzUAZDwCkFiBWxxN-KcwkDySARo/s320/tupu1.jpg" alt="" id="BLOGGER_PHOTO_ID_5551862369900518930" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:85%;"><span style="font-weight: bold;">The King and A Cup of Blood</span>, acrylic, pencil,<br />spraypaint om wood, 122 x 47 cm, 2010</span><br /><a style="font-weight: bold;" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW78esId9rViaMGTr5oxAzJpCfnHrE24j-NPENgx6KdZcyLeHs9fQ2SGcvwpYjNrE4AZpU1YPiTrzE3d1wx4-fAKZL0VntsAmRqlEZwp0jJVc4G5ZDmWTfgawXgDOud9C-DQU/s1600/the+king+and+a+cup+of+blood.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 124px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW78esId9rViaMGTr5oxAzJpCfnHrE24j-NPENgx6KdZcyLeHs9fQ2SGcvwpYjNrE4AZpU1YPiTrzE3d1wx4-fAKZL0VntsAmRqlEZwp0jJVc4G5ZDmWTfgawXgDOud9C-DQU/s320/the+king+and+a+cup+of+blood.jpg" alt="" id="BLOGGER_PHOTO_ID_5551864613157380210" border="0" /></a>iwan effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com0tag:blogger.com,1999:blog-32854074.post-47612775185989250562010-12-10T12:27:00.000-08:002010-12-17T02:24:51.103-08:00tembi contemporary show: the new work of me featuring papermoon puppet theatre<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFz-6849R6oT8Bg7Lf7b-d_3UqZw8-4lyO_VqLy6YsDuluodxBZwB4ydE0nyydbIKswu2NSTalarSXDKs7XkCzQlIJyFnbgWzYIH_zv-ZYC6F8HVbutGlBK1kGHGFIEFr3sA8/s1600/venue.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFz-6849R6oT8Bg7Lf7b-d_3UqZw8-4lyO_VqLy6YsDuluodxBZwB4ydE0nyydbIKswu2NSTalarSXDKs7XkCzQlIJyFnbgWzYIH_zv-ZYC6F8HVbutGlBK1kGHGFIEFr3sA8/s320/venue.jpg" alt="" id="BLOGGER_PHOTO_ID_5550767161771214258" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1RrQ-PkRA8wnuksDtyEQvZkoc_gQOuvTiLRs3C8yCqCqPzkwlrYB5YmUngFylk_PEO6kWu9e8ZMYPShe3WYOr5vqNn4l42CV06vdYj_ZkRKXc-FhitINL-vDWJnKsOoKbxWE/s1600/potoframe.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1RrQ-PkRA8wnuksDtyEQvZkoc_gQOuvTiLRs3C8yCqCqPzkwlrYB5YmUngFylk_PEO6kWu9e8ZMYPShe3WYOr5vqNn4l42CV06vdYj_ZkRKXc-FhitINL-vDWJnKsOoKbxWE/s320/potoframe.jpg" alt="" id="BLOGGER_PHOTO_ID_5550763629287362994" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMxzQwPrqzRzgJ2QF-lTJlvTPk-Ix_y2Ks682bC_yHK063dzAIUNRw1AaHDRiEjsgXfmsVceUTAseflagCEmvy03OTeKc6fmXzeXPhv38vDayfMJfK4pbiOU3DIbg56e81lEE/s1600/baba.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMxzQwPrqzRzgJ2QF-lTJlvTPk-Ix_y2Ks682bC_yHK063dzAIUNRw1AaHDRiEjsgXfmsVceUTAseflagCEmvy03OTeKc6fmXzeXPhv38vDayfMJfK4pbiOU3DIbg56e81lEE/s320/baba.jpg" alt="" id="BLOGGER_PHOTO_ID_5550763623289905858" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlD7HM7PdpdvqLjofWT8iyCfRRRRBiqAtnMyFxbRbUCW8yASR3-vk-DFPlYk7yMGoUg4bsihfnv6f6uzh8JMcHLPFSDsoH1GTAFXtSg0BZ6vSpQ_atzNA1YYw0EPJ7lSKQ3Ic/s1600/aplut7.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlD7HM7PdpdvqLjofWT8iyCfRRRRBiqAtnMyFxbRbUCW8yASR3-vk-DFPlYk7yMGoUg4bsihfnv6f6uzh8JMcHLPFSDsoH1GTAFXtSg0BZ6vSpQ_atzNA1YYw0EPJ7lSKQ3Ic/s320/aplut7.jpg" alt="" id="BLOGGER_PHOTO_ID_5550760012798546034" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRUz-zebDZgklhLYNiED1cUBXxzbqESyNEC9FXklBQsmlQF8cna-Y85MRiuYM6YuXGOHi-DEgZO-P5OT-WliEBU9I8ajfMEjIcH-sxcezuugady6mSEsXQER58Ivj8b2luwLg/s1600/aplut8.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRUz-zebDZgklhLYNiED1cUBXxzbqESyNEC9FXklBQsmlQF8cna-Y85MRiuYM6YuXGOHi-DEgZO-P5OT-WliEBU9I8ajfMEjIcH-sxcezuugady6mSEsXQER58Ivj8b2luwLg/s320/aplut8.jpg" alt="" id="BLOGGER_PHOTO_ID_5550760002110820306" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpjTOeB3IximMLEqhxVOJ7qzyzEh1Y9wG8OXq6vLm8e8ceZh3AQHrYlg1sTuJgpk_IBU6iiQjM_m-eYpdyJIdFZlakRQiLYhYe6yYKJJ0yY8izxopmdMjdNx-6bWPOve1oJQ0/s1600/dec2+035.JPG"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpjTOeB3IximMLEqhxVOJ7qzyzEh1Y9wG8OXq6vLm8e8ceZh3AQHrYlg1sTuJgpk_IBU6iiQjM_m-eYpdyJIdFZlakRQiLYhYe6yYKJJ0yY8izxopmdMjdNx-6bWPOve1oJQ0/s320/dec2+035.JPG" alt="" id="BLOGGER_PHOTO_ID_5550759998419362354" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX8DDoJnEIYPTdf3gAJFCYTHP-PrfKWDmZgAPh_gg115SX_vIlgHsTv8UkWAnIjh52LVjoAIn1Td03bFPNByAyhgbOZdvH9u8a22DWefbvzighHCBHJpnDcf5QLh-Jl_O6bY4/s1600/aplut2.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 316px; height: 421px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgX8DDoJnEIYPTdf3gAJFCYTHP-PrfKWDmZgAPh_gg115SX_vIlgHsTv8UkWAnIjh52LVjoAIn1Td03bFPNByAyhgbOZdvH9u8a22DWefbvzighHCBHJpnDcf5QLh-Jl_O6bY4/s320/aplut2.jpg" alt="" id="BLOGGER_PHOTO_ID_5550759990114665922" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZhPVtkgVFUH2mMBnm0WltFAUnPe6Pv4Gmfkxd82FPIogqXxS6q4SP0-KPsPI4f3DnH-U_mIhf0lCQtovNZOUELTV1_hdlGMLg5LEua4ty0tQw4AEjb6YIMrOuXz5Bgiz81zM/s1600/aplut6.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 240px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZhPVtkgVFUH2mMBnm0WltFAUnPe6Pv4Gmfkxd82FPIogqXxS6q4SP0-KPsPI4f3DnH-U_mIhf0lCQtovNZOUELTV1_hdlGMLg5LEua4ty0tQw4AEjb6YIMrOuXz5Bgiz81zM/s320/aplut6.jpg" alt="" id="BLOGGER_PHOTO_ID_5550759985167746658" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><p><span style="font-size:180%;"><strong>The Victim's Silent Tale</strong></span><br />(Solo Exhibition of <span style="font-weight: bold;">Iwan Effendi </span>feat<span style="font-weight: bold;"> Papermoon Puppet Theatre</span>)<br /><br /><em>By <span style="font-weight: bold;">Ade Tanesia </span></em><br /><br /><em>He heard the story about the arrest of his grandfather, a puppeteer artist who devoted himself to the tradition of wayang. He, as well, understood that his grandfather was arrested for being alledged as a member of Communist Party of Indonesia (Partai Komunis Indonesia, PKI). Only one that he did not realize, the plot behind the incident.</em></p><p>Had always been very close to his grandfather, yet no words on his grandfather's past to tell. "Perhaps I was his best-loved grandson. He was waiting for my birth. Among others, it was only me who had the privilege to climb up to his lap as he sat in his chair," Iwan Effendi recalled.</p><p>Such a wonderful grandfather; it is the memory Iwan Effendi have always had in mind. It was not until his participation in September Something in 2008—a visual art project organized by Kedai Kebun Forum—that his lack of curiosity about his grandfather's history had ceased. </p><p>"We were attending a workshop on the trauma of 1965 Affair. I, as a part of the generation of 2000 who was born in 1979, scarcely had knowledge of the anti-PKI massacres. I have heard of it, but I was not completely aware of what it really meant," he stated. </p><p>"September Something" art project which aim was to trace the history of 1965 from the living room has motivated Iwan Effendi to fit together the pieces of his family tale puzzle. He started compiling the stories of his grandfather from his mother's siblings, particularly from his uncle who had already reached fifteen at the time of the Affair. Many were also gained from the late mother of his; vaguely-heard ones finally began interlacing into a whole horrifying story. </p><p>"At that time, in 1965, he was summoned to the village's administrative unit's office, they said. Only the village officials who picked up my grandfather. It seemed pretty normal. However, he had never come back home again for thirteen years. Having to take care of nine children, my grandmother faced a hard time. She, eventually, decided to send them to relatives homes in different cities so that they could grow in a "healthy" environment without being accused as the children of PKI.</p><p>Stimulated by the secret tragedy kept in the memory of his family, Iwan dug into the narrative of an egregious history occurred in the year of 1965 as the blood of millions of this country's citizens was shed—the period that had ceased this country's high hopes, as expected by its founder, to become a great nation. Rapaciously, Iwan Effendi delved himself into various books and investigated historical data of 30 September Movement (G30S). He questioned himself as a visual artist "whether the past he clutches at today would or would not find its visual language". </p><div align="center">***<br /></div><p>Imaginative characters placed amidst the bright colors of a never-never land is the visual language of Iwan Effendi. Ofttimes we come across war-like visual elements in his works; aircraft, tank, which occasionally deformed in animal shapes. It allied closely to his fondness for war stories, such as the epic of the Second World War. It was into this tale that Iwan unravelled his ideas. During his former study at the Fine Arts Department of the Institute of Teaching and Educational Sciences (IKIP) Bandung, he expressed his ideas in a variety of human body movement. As he moved to Jogjakarta, pursuing his study at the Indonesian Institute of the Arts majoring in painting, his visual movement has shifted from realist to imaginative. Back then the street art genre pioneered by his seniors has influenced his art methods. The typical street art style, intersected with comical icons, was the artifacts that played an important role in the development of his artistic language.</p><p>The opportunity to meet Maria Tri Sulistyani, a children's book author who later became his beloved wife, has led him to visualizations of children's tales from around the world. He did not stop there; he developed Papermoon puppet theatre, which was formerly initiated by Maria. Together with his wife, Iwan began exploring the medium of puppets. To Iwan Effendi, the expansion of his visual expressions into puppet theatre is an extraordinary challenge that would meet no end. Accepting and referring to the philosophy of puppet theatre—"sincerity of being nobody"—Iwan put aside his ego as an artist and surrender himself to the world of puppeteering. It had not been an easy start, yet lately he found it intensely addictive; puppet theatre has animated his visual figures. </p><p>The imaginative visuals he worked on in detail is placed in the room settings which tracks would be untraceable in real world. Within this context that Iwan Effendi unfolds the stories of his life. At first, he did not emphasize his idea under just one specified theme, as in "Unhappy Family", expressing his mother's demise that also brought a touching story of a woman and her family. At times, his works narrated the increasingly inhuman relationship between the most up-to-date variety of communication technology and human being. Most works were about the day-to-day that he perceived and interpreted.</p><p>It has only been for the last two years Iwan centered his interest on the tragedy of 1965 Affair. His growing curiosity to the incident was not only aroused by the history of his family, but also by his passion for conspiracy theories. "World War II epic ended in the cold war between the communist and capitalist has, in point of fact, had significant impact on political constellation of Indonesia in the 1960s," he declared.</p><p>Hand in hand with Maria Tri Sulistyani, shattered pieces of the 1965 Affair were composed into a story line of puppet theatre performance entitled "Mwathirika"; means 'victim' in Swahili language. Starting off with creating the characters and positioned them in a stage room, Iwan and Ria have agreed from the beginning on how the tale would be symbolically narrated—escorting one to fairytale land. Moyo, Tupu, and their father Baba; Haki and the daughter Lacuna; are the four main characters played in the performance. Neither the figures' expressions nor the stage setting were referred to any spesific ethnic groups or places; Iwan has truly created a whole new world of imagination. Nevertheless, intense discussions with Maria were carried out continously to figure out the suited expression of the characters.</p><p>There is significant difference between puppetry visualization practice and painting on canvas—it is possible to apply only one expression on canvas, in the contrary, puppets require adaptive ones in diverse expressions: sadness, joy, loss, etc. Surely Iwan had to go through a complicated process of creation, nonetheless, this creating method has advanced his art practices. Iwan is a man of experimental and collaboration. From a very young age, he had already enjoyed fiddling around with things. His childhood enjoyment find its place at the time of having to design puppet's body movement.</p><p>The whole creative process of Iwan Effendi comes in two forms of media: exhibition and stage performance. His exhibition at Tembi Contemporary is not only relocating stage setting to exhibition space, but also reinterpreting the visuals by designing a fresh setting through his mural works. Nowadays, the practice of art as practiced by Iwan increasingly rare find, especially among the young artists of his age.</p><p>Only few out of many artists who would invest months of their time developing visual collaboration with other genre of art. Still and all, it is beyond question that in this exhibition we have run into an artist whose exploration on various art media continues; endlessly in search for visual elements to assemble more and more tales. And right here right now, he presents the tale for the victims of this nation's tragedy in 1965; keeping the bitterness lives in the hearts and memories of this nation—a silent tale that lasts forever.</p><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSyVuTpZjhVGy1ezOfrEuelqd4XoFzr9k0CkgS5BWyvrdPmCD7qYs6lMPA4IpPG_oYo1h_u4aZOiHmU7IbAPHCF19pJLaFbAqxoFAESC9I0pZgtpw8S4qmN5jQc-1RbmG5IdI/s1600/1dindingpun+punya+mata+%25231.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 214px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSyVuTpZjhVGy1ezOfrEuelqd4XoFzr9k0CkgS5BWyvrdPmCD7qYs6lMPA4IpPG_oYo1h_u4aZOiHmU7IbAPHCF19pJLaFbAqxoFAESC9I0pZgtpw8S4qmN5jQc-1RbmG5IdI/s320/1dindingpun+punya+mata+%25231.jpg" alt="" id="BLOGGER_PHOTO_ID_5549153650083585346" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br 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<w:lsdexception locked="false" priority="33" semihidden="false" unhidewhenused="false" qformat="true" name="Book Title"> <w:lsdexception locked="false" priority="37" name="Bibliography"> <w:lsdexception locked="false" priority="39" qformat="true" name="TOC Heading"> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style="font-size:85%;"><b style=""><span style="line-height: 115%;font-family:";" >Hanya Menjalankan Tugas</span></b></span><span style="line-height: 115%;font-family:";font-size:11pt;" ><span style="font-size:85%;">, 185 x 150 cm, acrylic on canvas, 2010</span></span><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDXg3HBwGuKX1x42G8xRQxCCBXXvgjkfzHsjRfXhvc7lUPA3FiJJNYcNuQW9xQ-LE4YCLWw91di5R7xFxGTknWxZkSD9pe9caSlSv-8M-4US_OSs5-7uQqcAqaoSXTAfixuxU/s1600/madu+dan+racun1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 296px; height: 295px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDXg3HBwGuKX1x42G8xRQxCCBXXvgjkfzHsjRfXhvc7lUPA3FiJJNYcNuQW9xQ-LE4YCLWw91di5R7xFxGTknWxZkSD9pe9caSlSv-8M-4US_OSs5-7uQqcAqaoSXTAfixuxU/s320/madu+dan+racun1.jpg" alt="" id="BLOGGER_PHOTO_ID_5549153625220129570" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><span style="font-size:85%;"><b style=""><span style="line-height: 115%;font-family:";" ><br /><br /></span></b></span><div style="text-align: justify;"><span style="font-size:85%;"><b style=""><span style="line-height: 115%;font-family:";" >Madu dan Racun</span></b></span><span style="line-height: 115%;font-family:";font-size:11pt;" ><span style="font-size:85%;">, 90 x 90 cm, acrylic on board, 2010</span></span><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc2xnPzxvurxUqnncfGuwB3YMA50Ks4Rlo8kuz5fyEHMWOtIJzv6K5JjsPg5rzpED1eAFqRUs0Ol1YaAd26CAaFhjpkRRLLNsj0CywPrFEsqm-eK4WPuE05Fduefq7DQcvBu8/s1600/moyo+%2526+tupu1.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 320px; height: 257px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc2xnPzxvurxUqnncfGuwB3YMA50Ks4Rlo8kuz5fyEHMWOtIJzv6K5JjsPg5rzpED1eAFqRUs0Ol1YaAd26CAaFhjpkRRLLNsj0CywPrFEsqm-eK4WPuE05Fduefq7DQcvBu8/s320/moyo+%2526+tupu1.jpg" alt="" id="BLOGGER_PHOTO_ID_5549153619636163794" border="0" /></a><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><div style="text-align: justify;"><span style="font-size:85%;"><b style=""><span style="line-height: 115%;font-family:";" >Moyo & Tupu</span></b></span><span style="line-height: 115%;font-family:";font-size:11pt;" ><span style="font-size:85%;">, 185 x 150 cm, acrylic on canvas, 2010</span></span><br /></div><span style="font-size:85%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5S6ngV0-M60L_3zU4N5IQHKqWjDkfNREwO8u7o1Y7_YC6yx4_Iix65stDIIHTQO8gbtsN9_9Ontr_i44599wjb_CuA2EsstinCLM0dTLLFQln-UzabBhobJ7Z_UKE9DSNW8k/s1600/Iwan+Effendi+-+Origin+of+Baba.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 313px; height: 253px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5S6ngV0-M60L_3zU4N5IQHKqWjDkfNREwO8u7o1Y7_YC6yx4_Iix65stDIIHTQO8gbtsN9_9Ontr_i44599wjb_CuA2EsstinCLM0dTLLFQln-UzabBhobJ7Z_UKE9DSNW8k/s320/Iwan+Effendi+-+Origin+of+Baba.jpg" alt="" id="BLOGGER_PHOTO_ID_5549159617380935570" border="0" /></a><br /></span><span style="line-height: 115%;font-family:";font-size:85%;" ><br /><br /><br /><br /></span><div style="text-align: justify;"><span style="line-height: 115%;font-family:";font-size:85%;" ><span style="font-weight: bold;"><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></span></span><div style="text-align: left;"><br /></div><span style="line-height: 115%;font-family:";font-size:85%;" ><span style="font-weight: bold;">The Origin of Baba</span>,</span><!--[if gte mso 9]><xml> <w:worddocument> <w:view>Normal</w:View> <w:zoom>0</w:Zoom> <w:trackmoves/> <w:trackformatting/> <w:punctuationkerning/> <w:validateagainstschemas/> <w:saveifxmlinvalid>false</w:SaveIfXMLInvalid> <w:ignoremixedcontent>false</w:IgnoreMixedContent> <w:alwaysshowplaceholdertext>false</w:AlwaysShowPlaceholderText> <w:donotpromoteqf/> <w:lidthemeother>IN</w:LidThemeOther> <w:lidthemeasian>X-NONE</w:LidThemeAsian> <w:lidthemecomplexscript>X-NONE</w:LidThemeComplexScript> <w:compatibility> <w:breakwrappedtables/> <w:snaptogridincell/> <w:wraptextwithpunct/> <w:useasianbreakrules/> <w:dontgrowautofit/> <w:splitpgbreakandparamark/> <w:dontvertaligncellwithsp/> <w:dontbreakconstrainedforcedtables/> <w:dontvertalignintxbx/> <w:word11kerningpairs/> <w:cachedcolbalance/> 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mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]--><span style="font-size:85%;"><span style="line-height: 115%;font-family:";font-size:11pt;" ><span style="font-size:85%;">185 x 150 cm, acrylic on canvas,2010</span></span></span><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm2SLHI-OOm2_Imhjp1ODcH-5iCE6i9RyXL5HbUshL8y1H5RTKqM0y1uC4n7XwSsCm7Tg2r8gf79rpn0xgsyms6Lj-YhwvPpv9DUnVtigmSBpdzoVSpRQ2LOaZMED9RSLWp8k/s1600/adalah+otaknya+yang+pasti+di+puncak.jpg"><img style="float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 233px; height: 320px;" 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effendihttp://www.blogger.com/profile/18245789197060689965noreply@blogger.com4